San Francisco area production company Hoytyboy Pictures has signed director Daniel Jeannette for spots and branded content. Jeannette served as animation director and visual effects supervisor for the new Spike Jonze film Where The Wild Things Are, and animation director on the feature Happy Feet….Bicoastal Park Pictures has added Brazilian directing team 300ml to its roster. Previously repped by Hungry Man in the U.S., 300ml continues to be handled by Rio de Janeiro-based Mixer in Brazil….Lieven Van Baelen, Raf Wathion, Koen Mortier and Joe Vanhoutteghem of directing collective Lionel Goldstein have signed with N.Y.-based Skunk for U.S. representation….O.D. Welch has joined Prime Focus Group as COO, North America. Based in the company’s Hollywood office, Welch oversees the North American post and VFX service units (previously Post Logic Studios and Frantic Films VFX, respectively). Also under his purview are Prime Focus facilities in L.A., N.Y., Winnipeg and Vancouver. Prior to Prime Focus, Welch was president of the entertainment management group at Evolve Consulting. He earlier was chief operating and financial officer for the Computer Cafe Group….Arnie DiGeorge has been promoted from group creative director to executive creative director at Las Vegas-based R&R Partners. Creative directors and the production department will report to DiGeorge who as group CD guided the “What happens here, stays here” campaign for Las Vegas over the past several years. Also promoted at R&R has been Fletcher Whitwell who becomes VP of media and digital activation. He remains chief architect of the media department and now takes on oversight of R&R’s digital marketing division….
Review: Director Bong Joon Ho’s “Mickey 17” Starring Robert Pattinson
So you think YOUR job is bad?
Sorry if we seem to be lacking empathy here. But however crummy you think your 9-5 routine is, it'll never be as bad as Robert Pattinson's in Bong Joon Ho's "Mickey 17" — nor will any job, on Earth or any planet, approach this level of misery.
Mickey, you see, is an "Expendable," and by this we don't mean he's a cast member in yet another sequel to Sylvester Stallone's tired band of mercenaries ("Expend17ables"?). No, even worse! He's literally expendable, in that his job description requires that he die, over and over, in the worst possible ways, only to be "reprinted" once again as the next Mickey.
And from here stems the good news, besides the excellent Pattinson, whom we hope got hazard pay, about Bong's hotly anticipated follow-up to "Parasite." There's creativity to spare, and much of it surrounds the ways he finds for his lead character to expire — again and again.
The bad news, besides, well, all the death, is that much of this film devolves into narrative chaos, bloat and excess. In so many ways, the always inventive Bong just doesn't know where to stop. It hardly seems a surprise that the sci-fi novel, by Edward Ashton, he's adapting here is called "Mickey7" — Bong decided to add 10 more Mickeys.
The first act, though, is crackling. We begin with Mickey lying alone at the bottom of a crevasse, having barely survived a fall. It is the year 2058, and he's part of a colonizing expedition from Earth to a far-off planet. He's surely about to die. In fact, the outcome is so expected that his friend Timo (Steven Yeun), staring down the crevasse, asks casually: "Haven't you died yet?"
How did Mickey get here? We flash back to Earth, where Mickey and Timo ran afoul of a villainous loan... Read More