Director Margo Weathers has joined bicoastal Supply&Demand Integrated. Her credits span clients such as Neiman Marcus, Armani, Zegna and Chanel. She formerly served as associate creative director for Neiman Marcus stores. Weathers rounds out a Supply&Demand directorial roster that includes Jeffery Plansker, Greg Popp, Sean Thonson, Josh Taft, Landis Smithers, Robert Logevall, Matthew Rolston, Tony Kaye, Adrien Brody, Lucy Walker, Gabriela Cowperthwaite and David Holm…..Los Angeles-based Boxer Films has signed up-and-coming director Dawn Garcia for commercial representation. The helmer is fresh out of UCLA School of Theater Film and Television’s Directing Program, where her PALs short film won a coveted Director’s Spotlight Award and her first-ever film produced in the program, The Castle, premiered at the Cannes International Film Festival. Post-graduation, her credits include Destroyer’s “Kaputt” and When Saints Go Machine’s “Add Ends” music videos. Additionally, Garcia is developing her PALs short into a feature with Oscar®-winning producer Tom Nunan (Crash, Employee of the Month, Thumbsucker, and The Illusionist)….
Review: Director Michael Morris’ “Bridget Jones: Mad About the Boy”
It is a truth universally acknowledged, as Bridget Jones herself might write in her diary, that at the end of any Bridget Jones movie, our heroine has triumphed over all doubts and obstacles and is finally happy.
With a man. Well, so far, with one particular man: Mark Darcy, the stuffy-yet-dashing man of her dreams.
This, dear viewer, is not a spoiler for the new fourth movie, "Bridget Jones: Mad About the Boy." In fact, if you've seen the trailer, you'll know that Bridget (Renée Zellweger, still pretty delightful), who finally married Mark at the end of the third film, is now a widow.
We're not supposed to divulge exactly what happens next. But remember, folks, this is a classic romantic comedy franchise. Rom-coms can be sad and deep, but they still need to be romantic.
What makes "Bridget Jones: Mad About the Boy" especially enjoyable, then — and the best since the 2001 original — is not that Bridget finds a way yet again to triumph over doubts and obstacles. It's that she still makes us care so darned much.
How does she do it after all these years? All I know is, I was rooting harder for her at the end of this film than I was with the others, even the original where she's kissing Mark in the snowy street in underwear and sneakers.
There are various possible explanations. One is Zellweger herself, who has brought her character gracefully into her 50s, retaining Bridget's goofiness and deep-set optimism while reflecting hard-won life experience.
And there are subtle changes to the equation. The relationships in this latest film are more interesting — old ones and new.
Bridget's relationship with herself is more interesting, too — and healthier. Sure, she can swig a full bottle of Chardonnay on a bad... Read More