Brickyard Filmworks, Santa Monica and Boston, has brought film industry vet Marc Sadeghi on board as a partner, and hired VFX supervisor Sean Devereaux. Sadeghi served as a principal architect of the feature film effects division of Bay Area studio The Orphanage as its exec VP, forming successful vendor relationships with major studios, including Paramount, Warner Bros., Universal, Revolution, Sony, Miramax and New Line. During his tenure at the since shuttered The Orphanage, he oversaw visual effects production on films such as Iron Man, the first and second sequels to Pirates of the Caribbean, Die Hard 4, Superman Returns, Harry Potter and the Goblet of Fire, Sin City, The Day After Tomorrow, Hellboy, Charlie’s Angels: Full Throttle and Hero. Meanwhile Devereaux has more than 10 years of visual effects experience on film and commercial projects. He has served as senior VFX artist on feature films including Transformers, Speed Racer, Final Fantasy II and Live Free or Die Hard at Industrial Light + Magic, Digital Domain, Asylum and Hydraulx. He has also worked as a VFX supervisor on spots with such directors as Kinka Usher, Paul Hunter and Joe Pytka….Jonbi Gudmundsson has been named executive producer of international production service company Milk & Honey Films, Prague. He spent the past 11 years at leading Iceland production company Saga Films where he ran the production and production service departments….
Oscar Winners “I’m Still Here” and “Emilia Pérez” Shed Light On Latin America’s Thousands of People Who’ve Disappeared
If there is a still open wound in Latin America, it is that of the tens of thousands of disappeared people and decadeslong pain that has accumulated in parts of the region such as Mexico and Colombia.
Two visions of the trauma had a central role at the 97th Academy Awards: the Brazilian film "Ainda Estou Aqui" ("I'm Still Here"), which tells the drama of the family of a leftist former congressman who disappeared in 1971 at the height of the military dictatorship; and the musical "Emilia Pérez," about a fictional Mexican drug lord who leaves a life of crime to become a transgender woman and searcher for the disappeared in Mexico.
"We hope that in this way the society will be sensitized," said activist Indira Navarro, who directs the Guerreros Buscadores de Jalisco collective in Mexico and has been searching for her brother, who disappeared in the northern state of Sonora nine years ago.
The Academy Awards' recognition of the films, both of which were nominated in multiple categories, was an unparalleled opportunity to make the problem visible, Navarro said.
"I'm Still Here," by Brazilian Walter Salles, won the Oscar in the category of best international film. "Emilia Pérez," by renowned French director Jacques Audiard, was this year's most-nominated film and won in the categories of best original song and best supporting actress for Zoe Saldaña.
Salles and Audiard's films also had a common denominator of disappearances in Latin America: impunity.
The story behind "I'm Still Here"
"I'm Still Here" was inspired by the book "Ainda Estou Aqui" by Marcelo Rubens Paiva, son of the disappeared former congressman Rubens Paiva. More than five decades after he was taken from his Rio de Janeiro home and... Read More