Director Howard Greenhalgh and the directorial collective Crush have joined the roster of Zoo Film, Hollywood. Greenhalgh had formerly been repped stateside by Believe. He continues to be handled in the U.K. by Home.corp. As for Crush, this is the first time that this team has had U.S. representation….Director Beverley Fortnum has joined the roster of Love, London. She comes over from U.K. house Wanted. Prior to breaking into directing, Fortnum was a leading beauty products creative director in the U.K., having worked at Leo Burnett, Grey and Saatchi & Saatchi….Amy Lazarus, formerly of Mad River Post, has joined the creative editorial company Bluerock in New York as executive producer, reporting to Bluerock president/COO Roe Bressan….Director/designer Daniel Garcia has joined production studio vitamin, Chicago….Ben Fischler has been named VFX supervisor for the CG department of LAIKA/house, Portland, Ore. He comes over from DreamWorks Animation, where he worked as a production lighter on such projects as Madagascar, Bee Movie, Shrek2, Shrek The Third, and Over The Hedge….New York-headquartered JSM Music has hired exec producers Ross Hopman and Tony Harris. Hopman returns to JSM where he began his career. He had most recently been at musical management and representation firm International Artists Agency, where he worked with such artists as The Wu-Tang Clan, Nas and Peter Murphy. Harris comes to JSM with 10 years of agency experience working at BBDO Detroit and Campbell-Ewald as a broadcast producer….Comma, an original music house based in Chicago, has brought exec producer Vicki Ordeshook on board to head the company’s recently launched L.A. office….
Review: Director Bong Joon Ho’s “Mickey 17” Starring Robert Pattinson
So you think YOUR job is bad?
Sorry if we seem to be lacking empathy here. But however crummy you think your 9-5 routine is, it'll never be as bad as Robert Pattinson's in Bong Joon Ho's "Mickey 17" — nor will any job, on Earth or any planet, approach this level of misery.
Mickey, you see, is an "Expendable," and by this we don't mean he's a cast member in yet another sequel to Sylvester Stallone's tired band of mercenaries ("Expend17ables"?). No, even worse! He's literally expendable, in that his job description requires that he die, over and over, in the worst possible ways, only to be "reprinted" once again as the next Mickey.
And from here stems the good news, besides the excellent Pattinson, whom we hope got hazard pay, about Bong's hotly anticipated follow-up to "Parasite." There's creativity to spare, and much of it surrounds the ways he finds for his lead character to expire — again and again.
The bad news, besides, well, all the death, is that much of this film devolves into narrative chaos, bloat and excess. In so many ways, the always inventive Bong just doesn't know where to stop. It hardly seems a surprise that the sci-fi novel, by Edward Ashton, he's adapting here is called "Mickey7" — Bong decided to add 10 more Mickeys.
The first act, though, is crackling. We begin with Mickey lying alone at the bottom of a crevasse, having barely survived a fall. It is the year 2058, and he's part of a colonizing expedition from Earth to a far-off planet. He's surely about to die. In fact, the outcome is so expected that his friend Timo (Steven Yeun), staring down the crevasse, asks casually: "Haven't you died yet?"
How did Mickey get here? We flash back to Earth, where Mickey and Timo ran afoul of a villainous loan... Read More