Street Talk
Director Joachim Back, formerly of Copenhagen-based production house Bacon, has joined Park Pictures, New York. Known for slightly absurd, comical storytelling, Back just helmed a Viagra spot for the Canadian market for The Partners’ Film Company, Toronto….Jeff Farnath has exited his CEO post at Vinton Studios, Portland, Ore., and Los Angeles. He will continue under contract with the character/computer animation studio as a consultant. Bob Harold, a Vinton Studios board member and Nike, Inc. Finance executive, will serve as interim CEO at Vinton until a permanent successor is found for Farnath…..Global creative agency Attik has returned to New York, setting up an office in the Tribeca district. Company partner William Travis heads up the Big Apple operation. The Attik continues to maintain shops in Huddersfield, U.K., headed by partner James Sommerville, and San Francisco under the aegis of partner Simon Needham….Patrick O’Donoghue has joined Talent Solutions, New York, as broadcast business manager. Talent Solutions is a division of Beaucoup Chapeaux. O’Donoghue has been in advertising business affairs for 10-plus years, eight of which were spent with Wieden+Kennedy in its Portland, Ore., New York and Amsterdam offices….The Hugo Awards, honoring the best in television, and presented by Cinema/Chicago and the Chicago International Film Festival, were held on March 31 in the Windy City. The Gold Hugo Award for best commercial campaign went to the “Sour Altoids Campaign” out of Leo Burnett USA, Chicago, and directed by Craig Gillespie of bicoastal/international Morton Jankel Zander (MJZ). The Gold Hugo for best commercial went to Anheuser-Busch’s “Applause,” directed by Joe Pykta of Venice, Calif.-based PYTKA for DDB Chicago…..Review: Director/Co-Writer Kyle Hausmann-Stokes’ “My Dead Friend Zoe”
Even for a film titled "My Dead Friend Zoe," the opening scenes of Kyle Hausmann-Stokes' movie have a startling rhythm. First, two female American soldiers are riding in a Humvee in Afghanistan 2016 blasting Rihanna's "Umbrella." They are clearly friends, and more concerned with the music coming through loudly than enemy fire. Zoe (Natalie Morales) tells Merit (Sonequa Martin-Green) tells that if they ever set foot in "some dopy group therapy," to please kill her. Cut to years later, they're sitting in a counseling meeting for veterans and Morales' character has a sour look at her face. She turns to her friend: "Did we survive the dumbest war of all time just to sit here all broken and kumbaya and ouchie-my-feelings?" But after this rush of cavalier soldiering and bitter sarcasm comes a sobering moment. Merit blinks her eyes and is instead staring at an empty chair. Zoe isn't there at all. "My Dead Friend Zoe," co-starring Morgan Freeman and Ed Harris, confronts a dark reality of post-combat struggle with as much humor and playfulness as it does trauma and sorrow. It comes from a real place, and you can tell. Hausmann-Stoke is himself a veteran and "My Dead Friend Zoe" is dedicated to a pair of his platoon mates who killed themselves. The opening titles note the film was "inspired by a true story." Audience disinterest has characterized many, though not all, of the films about the Iraq and Afghanistan wars, and the output has pretty much dried up over the years. "My Dead Friend Zoe" feels like it was made with an awareness of that trend and as a rebuke to it. This is an often breezy and funny movie for what, on paper, is a difficult and dark story. But the comic tone of "My Dead Friend Zoe" is, itself, a spirited rejection to not just the heaviness... Read More