Company 3 and sister facility Method Studios now offer clients a seamless workflow for stereoscopic 3D feature film digital intermediates. Filmmakers now have the option to have any portion of left/right “eye” alignment fixes–associated with all stereoscopic cinematography–addressed within Method’s dedicated stereography division.
Company 3, which has colored many major stereoscopic releases–including Alice in Wonderland, Pirates of the Caribbean: On Stranger Tides and the upcoming Transformers: Dark of the Moon and Fright Night–has already made use of this tandem service for Pirates, Transformers and Fright Night.
“Our clients have been extremely impressed with this collaborative workflow,” said Jackie Lee, Company 3’s VP of feature services.
“When you work in stereo, there are always certain discrepancies between the two ‘eyes,'” explained Steven Shapiro, lead stereographer and director of software and pipeline at Method. Shapiro, who has been intricately involved in stereoscopic post production for nearly a decade, notes that the Company 3/Method collaboration allows clients to maximize the close relationship between both companies, who share a building on Santa Monica’s Arizona Ave. “The service we provide at Method came out of the expertise and robust pipeline we have built doing VFX work.”
Shapiro acknowledged that many VFX companies offer services capable of addressing these issues, but that the Company 3/Method synergy allows clients a uniquely streamlined approach that integrates the work into the DI process. During the grading of stereoscopic projects, he explains, “if any alignment issues come up during grading, we can literally walk down to Company 3’s DI theater located within Method’s Santa Monica facility, ascertain the problem, fix it and drop it back into the timeline while the color grading session continues.”
This new service offering along with Deluxe Entertainment Services Group’s recent acquisition of the StereoD business makes Deluxe’s group of 3D creative and post production services a one stop shop for clients.
Curatorial Committee Roster Is Set For The 2025 AICP Post Awards
The AICP has set the full roster for the Curatorial Committee for the 2025 AICP Post Awards. The group, representing experts from the full gamut of postproduction crafts as well as from the agency and brand ranks, will meet this spring under the leadership of AICP Post Awards chairperson James Razzall, U.S. president of advertising, Framestore.
The extended entry deadline for the full suite of AICP Awards--which includes The AICP Show: The Art & Technique of the Commercial, and the AICP Next Awards--is Wednesday, March 5. Full entry details can be found here. The results of each show will debut during AICP Week in New York this June, and be featured at a gala celebration at The Museum of Modern Art.
One of Razzall’s key responsibilities as chair is to form the AICP Post Awards Curatorial Committee, which will determine the selection of the final winners and choose the Post Awards Best of Show from among the category winners. “I was looking for the best people at the top level in all their respective crafts,” explained Razzall. “We aimed to be as diverse and geographically as broad as possible. And we looked for cross-discipline opinions. We strove for a mix of people, including those who curate the work, not just our peers in post but also the best people we have worked with on the brand and agency side.
“Across the board, we were looking for people with a strong voice,” Razzall continued. “Our goal is to have a proper conversation, so we can filter through to make sure the best work is being recognized. When you consider the amount of effort that’s gone into these entries and the level of craft that they exhibit, we owe them that respect and honor of judging the work... Read More