Weekend moviegoers chose sci-fi over slapstick.
"Ender's Game" scored the No. 1 slot at the weekend box office, earning $28 million in its opening weekend and sending "Jackass Presents: Bad Grandpa" into second place, according to studio estimates Sunday.
Lionsgate's adaptation earned an additional $2 million in five international territories.
Based on the novel by Orson Scott Card, "Ender's Game" stars Asa Butterfield and Harrison Ford as intergalactic soldiers.
Comments made by Card expressing opposition to gay marriage led some to call for a boycott of the film. But a strong first-place opening met the studio's pre-weekend expectations.
However, ticket sales didn't come close to the opening weekends of other young-adult adaptations such as "Twilight" and "The Hunger Games." It did fare better than "Beautiful Creatures" and "The Mortal Instruments: City of Bones."
"'Ender's Game' is a big budget movie that could be the start of a franchise," said box-office analyst Paul Dergarabedian of Rentrak. "This time of year is not exactly a hotbed of million-dollar openings, but once they launch worldwide, it will do well."
A representative for Lionsgate declined to be interviewed for this story.
Paramount's candid-camera comedy starring Johnny Knoxville disguised as an old man brought in an additional $20.5 million in its second weekend, with a domestic total reaching more than $62 million. It also picked up $6 million in international ticket sales.
Other films opening this weekend didn't generate as much enthusiasm.
CBS Films' "Last Vegas," featuring an all-star cast of silver screen veterans including Michael Douglas, Robert De Niro, Morgan Freeman and Kevin Kline, opened in third place, with $16.5 million.
"It's interesting to see the number of stars that are not in their 20s in the top films," Dergarabedian said. "'Ender's Game' has Harrison Ford and Viola Davis, and 'Last Vegas' is like a 'Hangover' for the older crowd. Sandra Bullock and George Clooney (in 'Gravity') appeal to an older audience, and '12 Years a Slave,' which continues to impress as it expands into more and more theaters, is a very sophisticated drama."
Relativity Media's 3-D animated kiddie flick "Free Birds," with characters voiced by Owen Wilson, Woody Harrelson and Amy Poehler, debuted in the fourth spot, with $16.2 million.
After its fifth weekend at the box office, the Warner Bros. 3-D stunner "Gravity" is still holding in the fifth position. It banked $13.1 million over the weekend, bringing its domestic total to $220 million. Internationally, it gained $27.1 million.
Considered an Oscar contender, "12 Years a Slave" earned $4.6 million at No. 7 in its third weekend.
Overseas, Disney's "Thor: The Dark World" earned an impressive $109.4 million in its first international weekend. The Marvel superhero sequel opens domestically next weekend.
With the opening of "Thor: The Dark World," Disney's cumulative international box office for 2013 has passed the studio's previous international record of $2.303 billion, which was set in 2010.
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Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Rentrak. Where available, latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
1. "Ender's Game," $28 million ($2 million international).
2. "Jackass Presents: Bad Grandpa," $20.5 million ($6 million international).
3. "Last Vegas," $16.5 million.
4. "Free Birds," $16.2 million.
5. "Gravity," $13.1 million ($27.1 million international).
6. "Captain Phillips," $8.5 million ($10 million international).
7. "12 Years a Slave," $4.6 million.
8. "Cloudy with a Chance of Meatballs 2," $4.2 million ($11.5 million international).
9. "Carrie," $3.4 million ($1.6 million international).
10. "The Counselor," $2.3 million ($2.6 million international).
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Estimated weekend ticket sales Friday through Sunday at international theaters (excluding the U.S. and Canada) for films distributed overseas by Hollywood studios, according to Rentrak:
1."Thor: The Dark World," $109.4 million.
2."Gravity," $27.1 million.
3."Sole a Catinelle," $18.5 million.
4."Turbo," $12.3 million.
5."Cloudy with a Chance of Meatballs 2," $11.5 million.
6."Stalingrad," $11 million.
7."Captain Phillips," $10 million.
8."Jackass Presents: Bad Grandpa," $6 million.
9."Escape Plan," $4.4 million.
10."Ender's Game," $2 million.
Steven Soderbergh Has A Multi-Faceted “Presence” In His Latest Film
Steven Soderbergh isn't just the director and cinematographer of his latest film. He's also, in a way, its central character.
"Presence" is filmed entirely from the POV of a ghost inside a home a family has just moved into. Soderbergh, who serves as his own cinematographer under the pseudonym Peter Andrews (his father's name), essentially performs as the presence, a floating point-of-view that watches as the violence that killed the mysterious ghost threatens to be repeated.
For even the prolific Soderbergh, the film, which opens Friday in theaters, was a unique challenge. He shot "Presence" with a small digital camera while wearing slippers to soften his steps.
The 62-year-old filmmaker recently met a reporter in a midtown Manhattan hotel in between finishing post-production on his other upcoming movie ("Black Bag," a thriller Focus Features will release March 14) and beginning production in a few weeks on his next project, a romantic comedy that he says "feels like a George Cukor movie."
Soderbergh, whose films include "Out of Sight," the "Ocean's 11" movies, "Magic Mike" and "Erin Brockovich," tends to do a lot in small windows of time. "Presence" took 11 days to film.
That dexterous proficiency has made the ever-experimenting Soderbergh one of Hollywood's most widely respected evaluators of the movie business. In a wide-ranging conversation, he discussed why he thinks streaming is the most destructive force the movies have ever faced and why he's "the cockroach of this industry."
Q: You use pseudonyms for yourself as a cinematographer and editor. Were you tempted to credit yourself as an actor for "Presence"?
SODERBERGH: No, but what I did is subtle. For the first and... Read More