By Sandy Cohen, Entertainment Writer
LOS ANGELES (AP) --"Star Trek Beyond" has landed atop the weekend box office.
Paramount's latest outing with the Starship Enterprise soared to $59.6 million in domestic ticket sales, according to studio estimates Sunday, knocking Universal's "The Secret Life of Pets" from the No. 1 spot.
"Pets" fell to second place, adding an additional $29.3 million to its stellar $260 million earnings over the past three weeks.
"Star Trek Beyond" is the third film in the rebooted franchise that kicked off with J.J. Abrams' "Star Trek." This latest film opened $20 million behind that 2009 release, but experts say the returns are still promising for Paramount.
"This is a solid enough debut to tell them there's still enough interest in 'Star Trek' to keep this franchise alive," said Paul Dergarabedian, senior media analyst for box-office tracker comScore.
"Star Trek Beyond" opened in line with industry expectations, he said, despite the unexpected death last month of 27-year-old actor Anton Yelchin, who played Chekov.
"The tragic passing of Anton Yelchin made it bittersweet for fans," Dergarabedian said. "I don't think that took away anything from the film. Fans can pay their respects to Yelchin by watching him on the screen."
"The Secret Life of Pets" and "Ghostbusters" bested – or tied – the weekend's other new releases.
Warner Bros.' low-budget horror "Lights Out" opened with $21.6 million – more than quadrupling its reported $5 million budget – to tie with "Ghostbusters" for third place.
Fox's animated "Ice Age: Collision Course" debuted with $21 million. Fox Searchlight's "Absolutely Fabulous: The Movie" opened outside the top 10 with $1.8 million.
The documentary "Hillary's America: The Secret History of the Democratic Party," from conservative political pundit Dinesh D'Souza, edged into the top 10 in its second week with $3.7 million.
"That's pretty amazing," Dergarabedian said. "But it's obviously due to the timing with the Republican National Convention last week and the Democratic National Convention this week."
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday also are included. Final three-day domestic figures will be released Monday.
1. "Star Trek Beyond," $59.6 million ($30 million international).
2. "The Secret Life of Pets," $29.3 million ($10 million international).
3. (tie) "Lights Out," $21.6 million ($8.3 million international).
3. (tie) "Ghostbusters," $21.6 million ($10.5 million international).
4. "Ice Age: Collision Course," $21 million ($30 million international).
5. "Finding Dory," $7.2 million ($19.5 international).
6. "The Legend of Tarzan," $6.4 million ($44.7 million international).
7. "Mike and Dave Need Wedding Dates," $4.4 million ($1 million international).
8. "Kabali (Tamil & Telugu)," $4.1 million.
9. "Hillary's America: The Secret History of the Democratic Party," $3.7 million.
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "The Legend of Tarzan," $44.7 million.
2. "Skiptrace," $40 million.
3. (tie) "Star Trek Beyond," $30 million.
3. (tie) "Ice Age: Collision Course," $30 million.
1. "Train to Busan," $27.5 million.
2. "Finding Dory," $19.5 million.
3. "Independence Day: Resurgence," $12.2 million.
4. "Now You See Me 2," $11.5 million.
5. "The BFG," $11 million.
6. "Ghostbusters," $10.5 million.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this โ and those many "Babadook" memes โ unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables โ "Bah-Bah-Doooook" โ an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More