Guild honorees in TV, film reflect some measure of diversity
By Jake Coyle, Film Writer
LOS ANGELES (AP) --The Screen Actors Guild Awards were not so white.
While the Academy Awards remain enveloped in a crisis over the diversity of its nominees, the 22nd annual SAG Awards on Saturday presented a stark antidote to the rancor that has overwhelmed Hollywood’s awards season. Awards were handed out to Queen Latifah, Uzo Aduba, Viola Davis and Idris Elba (twice), as the actors guild cast a loud vote in favor of diversity on big and small screens.
“Ladies and gentlemen, welcome to diverse TV,” said Elba in his third trip on stage as a presenter. His first two were to accept awards for his supporting performance in the Netflix child soldier drama “Beasts of No Nation” and for his lead performance in the BBC miniseries “Luther.”
The night’s top honor, best ensemble in a film, went to the newspaper drama “Spotlight,” which came into Saturday badly in need of some momentum. The ensemble award had seemingly come down to “Spotlight” or – the film with the wind at its back – Adam McKay’s high finance tale “The Big Short,” which last week took the Producers Guild’s top award.
“No way,” said Mark Ruffalo, one of the film’s stars.
He praised the writer-director Tom McCarthy and co-writer Josh Singer for their purposeful accuracy in penning the journalistic procedural about the Boston Globe’s reporting on sexual abuse by Catholic priests. The two, he said, “took every single opportunity to tell the truth. They didn’t take any cheap way. It was always the truth.”
Elba made no direct reference to the crisis that has swept through Hollywood in the last two weeks – which might have been far less severe had he been nominated by the Academy Awards, as many expected. But it was on the minds and tongues of seemingly everyone in Los Angeles’ Shrine Auditorium on Saturday night.
Accepting the most outstanding ensemble award, comedy series, for “Orange Is the New Black,” co-star Laura Prepon gestured to the cast of the prison comedy standing behind her.
“Look at this stage,” said Prepon at Los Angeles’ Shrine Auditorium. “This is what we talk about when we talk about diversity.”
Individual actor SAG winners the last three years have exactly corresponded with eventual Oscar winners, which meant that SAG winners Leonardo DiCaprio (“The Revenant”), Brie Larson (“Room”) and Alicia Vikander (“The Danish Girl”) all appear to have cemented their status as favorites. Each won, as expected.
“For any young actors out there, I encourage you to watch the history of cinema,” said DiCaprio, who is expected to land his first Oscar after four previous nominations. “As the history of cinema unfolds, you realize that we all stand on the shoulders of giants.”
But supporting actor will differ this year. The category’s perceived favorite is Sylvester Stallone for the Rocky sequel “Creed.” Stallone, though, wasn’t nominated by the screen actors.
Actors make up the largest branch of the Academy of Motion Pictures Arts and Sciences, which is why the SAG Awards are a closely watched harbinger of the Oscars. But the Screen Actors Guild is massive by comparison: some 160,000 members to the academy’s 6,000-plus. Voting for the SAG Awards, which concluded Friday, also overlapped with the widespread debate over the industry’s inclusiveness that followed Academy Awards nominations that resurrected the “OscarsSoWhite” backlash of last year.
Latifah gave one of the evening’s most stirring speeches while accepting the award for most outstanding female performance in a TV movie or miniseries for HBO’s Bessie Smith tale “Bessie.”
“I hope that anyone out there who does not come in the package that people say you should, keep fighting for it,” said Latifah. “Flip those rocks over. Keep pushing, keep turning, you can do it. You build your own boxes, not people. So knock that thing away and do you!”
Backstage, Latifah said diversity was good business: “Hopefully our business will continue to supply the demand that people are asking for. The people want it. Give it to the people.”
Aduba, accepting her second straight SAG Award for best actress in a comedy in “Orange Is the New Black,” didn’t address the topic straight on. But she praised creator Jenji Kohan for making “a show that reflects and represents so many people.”
For the third time, “Downton Abbey” won best ensemble in a drama series. Best actor in a TV comedy went to Jeffery Tambor for the acclaimed Amazon series “Transparent.” Kevin Spacey won his second SAG Award for “House of Cards” – another win for Netflix on the night.
The great comedian Carol Burnett accepted the SAG lifetime achievement award from presenters Tina Fey and Amy Poehler. Recalling the uphill battle she faced, Burnett remembered being warned that “comedy variety is a man’s game.” She then dramatically shook her head and mouthed: “No.”
Surveying the room, she concluded with a tug of the ear and her signature phrase: “I’m so glad we had this time together.”
THEATRICAL FEATURES
Outstanding Performance by a Cast in a Motion Picture
SPOTLIGHT (Open Road Films)
BILLY CRUDUP/Eric MacLeish; BRIAN D’ARCY JAMES/Matty Carroll; MICHAEL KEATON/Walter “Robby” Robinson; RACHEL McADAMS/Sacha Pfeiffer; MARK RUFFALO/Michael Rezendes; LIEV SCHREIBER/Marty Baron; JOHN SLATTERY/Ben Bradlee, Jr.; STANLEY TUCCI/Mitchell Garabedian
Outstanding Performance by a Female Actor in a Leading Role
BRIE LARSON/Ma ROOM (A24)
Outstanding Performance by a Male Actor in a Leading Role
LEONARDO DiCAPRIO/Hugh Glass THE REVENANT (20th Century Fox)
Outstanding Performance by a Female Actor in a Supporting Role
ALICIA VIKANDER/Gerda Wegener THE DANISH GIRL (Focus Features)
Outstanding Performance by a Male Actor in a Supporting Role
IDRIS ELBA/Commandant BEASTS OF NO NATION (Netflix)
TELEVISION
Outstanding Performance by an Ensemble in a Drama Series
DOWNTON ABBEY (Masterpiece/PBS)
HUGH BONNEVILLE/Robert, Earl of Grantham; LAURA CARMICHAEL/Lady Edith Crawley; JIM CARTER/Mr. Carson; RAQUEL CASSIDY/Baxter; BRENDAN COYLE/Mr. Bates; TOM CULLEN/Anthony Gillingham; MICHELLE DOCKERY/Lady Mary Crawley; KEVIN DOYLE/Mr. Molesley; JOANNE FROGGATT/Anna Bates; LILY JAMES/Lady Rose; ROBERT JAMES-COLLIER/Thomas Barrow; ALLEN LEECH/Tom Branson; PHYLLIS LOGAN/Mrs. Hughes; ELIZABETH McGOVERN/Cora, Countess of Grantham; SOPHIE McSHERA/Daisy; LESLEY NICOL/Mrs. Patmore; JULIAN OVENDEN/Charles Blake; DAVID ROBB /Dr. Clarkson; MAGGIE SMITH/ Violet, Dowager Countess of Grantham; PENELOPE WILTON/Isobel Crawley
Outstanding Performance by an Ensemble in a Comedy Series
ORANGE IS THE NEW BLACK (Netflix)
UZO ADUBA/Suzanne “Crazy Eyes” Warren; MIKE BIRBIGLIA / Danny Pearson; MARSHA STEPHANIE BLAKE/Berdie Rogers; DANIELLE BROOKS/Tasha “Taystee” Jefferson; LAVERNE COX/Sophia Burset; JACKIE CRUZ/Marisol “Flaca” Gonzales; CATHERINE CURTIN/Wanda Bell; LEA DELARIA/Carrie “Big Boo” Black; BETH FOWLER/Sister Jane Ingalls; JOEL MARSH GARLAND/Scott O’Neill; KIMIKO GLENN/Brook Soso; ANNIE GOLDEN/Norma Romano; DIANE GUERRERO/Maritza Ramos; MICHAEL J. HARNEY/Sam Healy; VICKY JEUDY/Janae Watson; SELENIS LEYVA/Gloria Mendoza; TARYN MANNING/Tiffany “Pennsatucky” Doggett; ADRIENNE C. MOORE/Black Cindy; KATE MULGREW/Galina “Red” Reznikov; EMMA MYLES/Leanne Taylor; MATT PETERS/Joel Luschek; LORI PETTY/Lolly Whitehill; JESSICA PIMENTEL/Maria Ruiz; DASCHA POLANCO/Dayanara Diaz; LAURA PREPON/Alex Vause; ELIZABETH RODRIGUEZ/Aleida Diaz; RUBY ROSE/Stella Carlin; NICK SANDOW/Joe Caputo; ABIGAIL SAVAGE/Gina; TAYLOR SCHILLING/Piper Chapman; CONSTANCE SHULMAN/Yoga Jones; DALE SOULES/Frieda; YAEL STONE/Lorna Morello; SAMIRA WILEY/Poussey Washington
Outstanding Performance by a Female Actor in a Drama Series
VIOLA DAVIS/Annalise Keating – HOW TO GET AWAY WITH MURDER (ABC)
Outstanding Performance by a Male Actor in a Drama Series
KEVIN SPACEY/Francis Underwood – HOUSE OF CARDS (Netflix)
Outstanding Performance by a Male Actor in a Comedy Series
JEFFREY TAMBOR/Maura Pfefferman – TRANSPARENT (Amazon)
Outstanding Performance by a Female Actor in a Comedy Series
UZO ADUBA/Suzanne “Crazy Eyes” Warren – ORANGE IS THE NEW BLACK (Netflix)
Outstanding Performance by a Female Actor in a Television Movie or Miniseries
QUEEN LATIFAH/Bessie Smith – BESSIE (HBO)
Outstanding Performance by a Male Actor in a Television Movie or Miniseries
IDRIS ELBA/DCI John Luther – LUTHER (BBC America)
SAG AWARDS HONORS FOR STUNT ENSEMBLES
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
MAD MAX: FURY ROAD (Warner Bros. Pictures)
Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series
GAME OF THRONES (HBO)
AP’s Sandy Cohen in Los Angeles contributed to this report.
Review: Writer-Directors Scott Beck and Bryan Wood’s “Heretic”
"Heretic" opens with an unusual table setter: Two young missionaries from The Church of Jesus Christ of Latter-day Saints are discussing condoms and why some are labeled as large even though they're all pretty much a standard size. "What else do we believe because of marketing?" one asks the other.
That line will echo through the movie, a stimulating discussion of religion that emerges from a horror movie wrapper. Despite a second-half slide and feeling unbalanced, this is the rare movie that combines lots of squirting blood and elevated discussion of the ancient Egyptian god Horus.
Our two church members — played fiercely by Sophie Thatcher and Chloe East — are wandering around trying to covert souls when they knock on the door of a sweet-looking cottage. Its owner, Mr. Reed, offers a hearty "Good afternoon!" He welcomes them in, brings them drinks and promises a blueberry pie. He's also interested in learning more about the church. So far, so good.
Mr. Reed is, of course, if you've seen the poster, the baddie and he's played by Hugh Grant, who doesn't go the snarling, dead-eyed Hannibal Lecter route in "Heretic." Grant is the slightly bumbling, bashful and self-mocking character we fell in love with in "Four Weddings and a Funeral," but with a smear of menace. He gradually reveals that he actually knows quite a bit about the Mormon religion — and all religions.
"It's good to be religious," he says jauntily and promises his wife will join them soon, a requirement for the church. Homey touches in his home include a framed "Bless This Mess" needlepoint on a wall, but there are also oddities, like his lights are on a timer and there's metal in the walls and ceilings.
Writer-directors Scott Beck and Bryan Wood — who also... Read More