Reaching a maximum audience of several hundred thousand at a time hardly seems like nirvana for mass marketers. But 18 major advertisers–including Pontiac, Dell and Marriott–have shrewdly embraced that opportunity when it was offered by CBS.
The eye network is making the early round games of the National Collegiate Athletic Association’s (NCAA) basketball championship tournament available on the Web for free. The games, which have spawned bracketology “science” and office betting pools throughout the country, represent a hot ticket. And it’s safe to say that college basketball fans, as well as office worker “Final Four” pool players, will have a keen interest in accessing the action–via CBS’ national telecasts (available in HD), and over the Internet.
In fact for the initial weekday morning and afternoon round of games, look for office productivity to go down as workers keep an eye peeled on their computer screens for live, Web-delivered games. Further aiding and abetting this down time at the office is a button that Web viewers can click to instantly replace the games with a fake spreadsheet–that way the boss will be none the wiser about employees slacking off to keep tabs on the NCAA tournament.
All the available ad slots have been sold in this precedent-setting Web event, which marks the first time that a mainstay national broadcaster has shifted such a valuable, exclusive program franchise onto the Web without charging a fee. The college basketball tournament has long been known as March Madness–hence the Internet service name of March Madness On Demand for the CBS initiative.
Ads will be removed from the TV broadcast and replaced with Web-only commercials sold by CBS Sportsline, which is a unit of CBS Digital Media. The Web service will not feature the Elite Eight, Final Four or championship rounds when there’s only one game at a time. Additionally, Web users won’t be able to access local games even in the early rounds when multiple games are being played simultaneously. This is all designed to protect the core TV broadcast business.
It’s estimated that broadband capacity will limit the Web audience to a few hundred thousand viewers at a given time. The service is available at ncaasports.com/mmod and could pave the way for other Web broadcasts.
The March Madness on Demand for no charge underscores how mainstream entertainment companies are grappling with ways to leverage emerging media, while creating desirable outlets for their audience constituencies and advertisers. It’s believed that the companies advertising on the Web games will for the most part make their spots interactive as they attempt to engage prospective consumers and gauge how much interest those commercials generate.
In a Los Angeles Times article about March Madness on Demand, Deborah S. Fell, a Marriott senior VP is quoted as saying, “It’s a cluttered landscape out there in terms of getting information to consumers. This is the type of venue we’re looking for.”
Review: Director Jon M. Chu’s “Wicked”
It's the ultimate celebrity redemption tour, two decades in the making. In the annals of pop culture, few characters have undergone an image makeover quite like the Wicked Witch of the West.
Oh, she may have been vengeful and scary in "The Wizard of Oz." But something changed — like, REALLY changed — on the way from the yellow brick road to the Great White Way. Since 2003, crowds have packed nightly into "Wicked" at Broadway's Gershwin Theatre to cheer as the green-skinned, misunderstood Elphaba rises up on her broomstick to belt "Defying Gravity," that enduring girl-power anthem.
How many people have seen "Wicked"? Rudimentary math suggests more than 15 million on Broadway alone. And now we have "Wicked" the movie, director Jon M. Chu's lavish, faithful, impeccably crafted (and nearly three-hour) ode to this origin story of Elphaba and her (eventual) bestie — Glinda, the very good and very blonde. Welcome to Hollywood, ladies.
Before we get to what this movie does well (Those big numbers! Those costumes!), just a couple thornier issues to ponder. Will this "Wicked," powered by a soulful Cynthia Erivo (owner of one of the best singing voices on the planet) and a sprightly, comedic, hair-tossing Ariana Grande, turn even musical theater haters into lovers?
Tricky question. Some people just don't buy into the musical thing, and they should be allowed to live freely amongst us. But if people breaking into song delights rather than flummoxes you, if elaborate dance numbers in village squares and fantastical nightclubs and emerald-hued cities make perfect sense to you, and especially if you already love "Wicked," well then, you will likely love this film. If it feels like they made the best "Wicked" movie money could buy — well, it's... Read More