By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --Opening in theaters amid controversy over animal treatment on set and calls for a boycott, "A Dog's Purpose" still managed to earn $18.4 million, according to studio estimates Sunday.
Tracking expectations had pegged the family film to open in the mid $20-million range, but it had a healthy debut nonetheless for a movie that cost only $22 million to produce.
Representatives of Universal Pictures, which distributed the Amblin-produced film starring Dennis Quaid, say the opening was in line with their hopes.
Audiences gave the film an "A'' CinemaScore, indicating that word of mouth should be positive going forward.
"It's a great start for what I think is going to be a long-term playout on the title," said Nick Carpou, Universal's president of domestic distribution.
First place at the box office went again to M. Night Shyamalan's multiple personality thriller "Split." It grossed $26.3 million in its second weekend in theaters – a relatively minuscule 34 percent drop from its first weekend, which is nearly unheard of for a horror thriller.
Rounding out the top five were "Hidden Figures" in third with $14 million, new opener "Resident Evil: The Final Chapter" in fourth with $13.9 million, and "La La Land" in fifth place with $12.1 million.
Damien Chazelle's candy colored musical crossed the $100 million mark domestically after earning 14 Oscar nominations that helped fuel its earnings.
"They definitely got a nice boost," comScore senior media analyst Paul Dergarabedian said. "They're riding that perfect wave of Oscar attention with the perfect release pattern."
But even with the newly anointed Oscar nominees and the sleeper hit of "Split," many eyes were on "A Dog's Purpose" this weekend. On Jan. 18, TMZ released a video of a frightened dog from "A Dog's Purpose" that apparently was forced into rushing water during the making of the film. The footage quickly went viral.
PETA called for a boycott of the film, while the studio and filmmakers canceled its press junket and premiere but still proceeded with releasing the film in over 3,000 locations as planned.
Carpou acknowledged that the video, which he and the filmmakers have said is "highly edited," surfaced at "a very inopportune moment in the buildup to the release of our movie" and they knew that it would have some effect.
And yet, Carpou said, "It's very difficult to qualify what is a success for this film by trying to quantify negative result because of some controversy."
Other industry observers, like Dergarabedian, note that the video and the resulting media attention actually heightened awareness about the movie.
Dergarabedian also thinks that, even without the controversy, the weekend likely would have played out in the same way, with "A Dog's Purpose" taking second place to "Split."
"It had an impact, we just don't know what the impact is," Dergarabedian said. "To have close to $20 million is a pretty good showing. I really feel like we just don't know what the impact was. I think it's a fine result for the film."
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
1."Split," $26.3 million ($14.8 million international).
2."A Dog's Purpose," $18.4 million ($3.7 million international).
3."Hidden Figures," $14 million ($1.5 million international).
4."Resident Evil: The Final Chapter," $13.9 million ($28.3 million international).
5."La La Land," $12.1 million ($23.5 million international).
6."xXx: The Return of Xander Cage," $8.3 million ($24 million international).
7."Sing," $6.2 million ($23.3 million international).
8."Rogue One: A Star Wars Story," $5.1 million ($3.8 million international).
9."Monster Trucks," $4.1 million ($2.6 million international).
10."Gold," $3.5 million.
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Journey To The West: The Demon Strikes Back," $85 million.
2. "Buddies in India," $44 million.
3. "Kung Fu Yoga," $40 million.
4. "Resident Evil: The Final Chapter," $28.3 million.
5. "xXx: The Return Of Xander Cage," $24 million.
6. "La La Land," $23.5 million.
7. "Sing," $23.3 million.
8. "Duckweed," $18.3 million.
9. "Confidential Assignment," $15 million.
10. "Split," $14.8 million.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More