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    SPECIAL REPORT: NEW YORK_

    By SHOOT StaffUpdated:No Comments1481 Views
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    Below are credits for each NYC2012 short film:

    The Dream Begins

    CaseGiraldi Media, bicoastal. Bob Giraldi, director; Tim Ives, DP; Carol Case and Patti Greaney, executive producers; J.P. Greaney, producer. 89 Editorial, New York. Paul Kelly, editor/sound designer; Corey Budro, assistant editor; Bob Cagliero, executive producer; Suzanne Rieger, producer. Company 3, New York. John Bonta, colorist; Luana Ayres, executive producer. R!OT Manhattan. Ted Pishko, online editor. HSR Studios, New York. Glenn Navia, mixer. Bang Music, New York. Jane Pitrelli, composer; Lyle Greenfield, executive producer/composer.

    We’ll Get It Done

    hungry man, bicoastal/international. Bryan Buckley, director; Joe DeSalvo, DP; Stephen Orent, executive producer; Kevin Byrne, producer. Crew Cuts, bicoastal. Sherri Margulies, editor/sound designer; Matt Shapiro and Jake Jacobsen, assistant editors; Michelle Bellaff, producer. The Anx, New York. John Crowley, colorist; George Bunce, executive producer. Quiet Man, New York. Peter Amante and Chris Coleman, Flame artists; Amy Taylor, executive producer. Buzz, New York. Michael Marinelli, mixer/sound designer; Karyn Kellner, assistant mixer. Sacred Noise, New York. Chuck Lovejoy, composer; Jeff Rosner, executive producer.

    Athletes And Venues

    @radical.media, bicoastal/international. Lenard Dorfman and Robert Leacock, directors; Trish Govoni, DP; Jon Kamen and Robert Fernandez, executive producers; Alec Sash and Lisa Ruffler, line producers. Go Robot!, New York. Adam Liebowtiz, editor/sound designer; David Bradley, editor; Jason Kileen, assistant editor; Jonlyn Williams, executive producer. Nice Shoes, New York. Chris Ryan, colorist; Rich Schreck, online editor. HSR Studios, New York. Fernando Ascani, mixer.

    You’ll Love New York

    Lovinger Mahoney Adelson, New York. Jeff Lovinger, director; Jack Donnelly, DP; Andy Adelson and Sheila Mahoney, executive producers/producers. Ohio Edit, New York. Frank Snider, editor/sound designer; Peter Fritz, online editor/assistant editor; Mary Beth Medernach, executive producer. Company 3, New York. Tim Masick, colorist; Luana Ayres, executive producer. Sound Lounge, New York. Eric Warzecha, mixer. Snyder Music, New York. Craig Snyder, executive producer/arranger; Barry Miles, arranger; Reneé Snyder, executive producer.

    Torch Runner

    Mars Media, bicoastal. Sam Bayer, director/DP; Bill Sandwick, executive producer; Cindy Blount, producer; Fran Borden, production supervisor. Spot Welders, Venice, Calif. Michael Heldman, editor; David Glean, executive producer. Method, Santa Monica. Alex Frisch, visual effects supervisor/online editor; Andrew Eksner, Cedric Nicolas, Russell Fell and Scott McNiel, visual effects artists; Brandon Sanders, Joel Morrison and Ryan Yoshimoto, junior visual effects artists; Neysa Horsburgh, executive producer; Rich Rama, producer. Company 3, Santa Monica. Stefan Sonnenfeld, colorist; Missy Papageorge, executive producer. POP Sound, Santa Monica. Loren Silber, mixer. Mit Out Sound, Sausalito, Calif. Ren Klyce, sound designer.

    Category:News



    AICP’s Matt Miller Looks To Build Support For Production In L.A. After Devastating Wildfires

    Friday, January 17, 2025

    Editor’s note: AICP president and CEO Matt Miller issued the following statement addressing the wildfires in Los Angeles and how the industry can help this key production market--a hub of major resources essential to the health of the overall commercialmaking industry:

    Who Needs Los Angeles? We Do.
    By Matt Miller, AICP president and CEO

    One doesn’t have to be a statistician to know that there are fewer commercials being shot in the U.S. today for the American market than ever before, and a dramatic decrease in L.A. in particular. In the last five years, as reported by FilmLA (the office tasked with issuing permits), L.A. commercial production has dipped 31 percent.

    But here’s the thing: This doesn’t mean that L.A. has lost its importance as the production center of the world. Production in L.A. is vital. It is the go-to. It’s where you can count on access to exemplary crews, a support infrastructure second to none, varied location and backlot options, a large population of on-screen talent and (fairly) predictable weather.

    The fact is, with overall decline and now the devastation of the fires, we’re on the brink of losing this mainstay resource. Without employment opportunities and now many without homes, talented and trained crew are bound to leave either the industry or the L.A. area for other opportunities, unless there are enough job opportunities to sustain a solid living.

    Now is the time when we ALL must support and bolster this community.

    Production is needed in L.A., now!

    Of course, advertising is a business, and marketers’ money should be spent as efficiently as possible, BUT we have to think beyond each production and know that if we lose the... Read More

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