When veteran sound mixer Irin Strauss was tasked with capturing audio for the indie film Tangerine, he turned to the 664 Production Mixer, made by Sound Devices, specialists in portable audio and video products for field production.
Tangerine is a comedy-drama from writer-director Sean Baker. Shot entirely with Apple iPhones, the feature is an intimate look at a day in the lives of two transgender prostitutes.
The deployment of two Apple iPhone5 cameras required Strauss to choose highly compact, mobile equipment in order to keep up with the production crew.
“For Tangerine, two cameramen were running around with phones, allowing us to quickly shoot in certain locations, almost undetected,” said Strauss. “As the sound guy and the boom operator, I had the most to carry. Having the mixer and recorder in one machine proved invaluable for this project, as it was one less thing to carry.”
Armed with his Sound Devices 664, purchased from Gotham Sound, Strauss was able to keep up with the two iPhone 5 operators. For the narrative dialogue, he put everything onto one track, with straight ISOs for everybody else, who were wired most of the time. He would also mix the boom and the wired tracks when necessary.
“We weren’t really sure how things would pan out, shooting an entire film using just iPhones, and since the pace was so fast, there wasn’t time to create sound reports, so I really had to rely on the metadata from the 664,” said Strauss. “In addition, using the 664 made monitoring each individual track very easy and convenient.”
The smart phone camera setup also included Moondog Labs’ 1.33x anamorphic adapter and the FiLMiC Pro app. In addition to his 664, Strauss used a Lectrosonics SMV wireless system for his transmitters, along with Sanken COS-11D lavaliers. He employed a Schoeps CMIT5U shotgun microphone and, occasionally, a T-powered Schoeps CMC 4U for locations with low ceilings and little head room.
“This was probably the most challenging project I have ever worked on, as it was not easy to keep up with two guys with iPhones,” said Strauss. “They would just grab their phones and start shooting. Since there weren’t any monitors, I had to make my best guess about what the shots were and how they aligned them. The 664 was really an excellent choice for this fast-paced production. It is a great piece of equipment.”
The 664 features six ultra-low noise, high dynamic range transformer-less preamps that accept mic- or line-level signals and include analog peak limiters, high-pass filters, input trim control and direct outputs on every channel. Direct outputs for input channels 1-6 can be switched to six line inputs (7-12) for a total of 12 inputs. The 664 records up to 16 tracks of 16- or 24-bit broadcast WAV files to SD and/or CompactFlash cards. All inputs and outputs are individually selectable for recording, enabling the mixer to record up to 12 ISO and four mix tracks. With its dual card slots, the 664 can record WAV or MP3 content to either or both cards simultaneously, with the added ability to assign different tracks to each memory card.
Eleanor Adds Director Candice Vernon To Its Roster For Spots and Branded Content
Director Candice Vernon has joined production house Eleanor for U.S. representation spanning commercials and branded content. She has already wrapped several jobs at Eleanor, which waited to announce her until they had a body of work together.
Via Eleanor, Vernon made history as the first Black director on a Febreze commercial. The “Small Spaces” campaign marks a major departure from Febreze’s typical blue-and-white world. The home of the “Revolving Door” commercial is a beautiful array of bold sunset hues, African prints, and African art.
Vernon said, “I asked myself, what feels right to me? What feels new? I wanted to bring an essence of not just Black Americans but the full diaspora. I wanted to make a statement that we’re not a monolith.”
Following the success of the “Small Spaces” campaign, Febreze brought Vernon back for a comedy-infused trifecta exploring the hilarious situations that call for an air freshening hero.
Febreze Brand VP Angelica Matthews said, “About two years ago, we realized the consumers that were the most loyal to Febreze were the African American consumers. And the more we learned, the more we realized the richness that we were really missing. So we said we have to go beyond just Black casting, we need to get Black directors that truly understand the culture that truly understand how to bring authentic performances out on screen. We really looked around the industry and noticed there’s actually a shortage of African American directors who have experience doing commercials. When we all saw Candice’s reel, we could all tell the passion for the craft, passion for really trying to help us from where we are to where we’re trying to go.”
Vernon brings a unique lens to... Read More