Sony Electronics has released details on its latest camera, the HDC-P31, a point of view (POV) system camera with remote functionality and 1080/60p HDR capability that complements the company’s versatile lineup of box and portable system camera options. As the demand to streamline media production workflows increases, the model’s remote menu setting and status monitoring minimize the time and personnel needed on-site during a production, since POV cameras are often mounted in inaccessible or hard to reach locations or used on a crane, rail or robotics system. The flexible and lightweight HDC-P31 is ideal for studio, faith and rental applications, and sports production. The HDC-P31 is planned to be available in November of 2020.
The new HD model incorporates a global shutter three 2/3-inch CMOS sensor system for enhanced optical performance that provides high sensitivity and low noise. In addition, the camera is designed to be used as an integral part of Sony’s popular HDC series ecosystem, creating the same stunning images and look and using the same workflow, but in a smaller POV form factor. The camera creates a comprehensive system while working alongside Sony’s XVS series of switchers for a powerful ELC Live Production Control Automation system.
“The heart of the camera is its image sensor, and as a leader in sensor technology, Sony continues to combine our legacy and expertise in imaging with feedback from our user base to develop the necessary tools to enhance our lineup and serve the production community,” said Theresa Alesso, pro division president, Sony Electronics. “From resolution and form factor to price and future capabilities, Sony prides itself on providing choices that empower our users. With the launch of the HDC-P31, Sony is delivering an option that responds to the industry’s request for remote functionality, paired with a smaller footprint for more mounting freedom, both of which contribute to a streamlined media production workflow.”
Key features
POV cameras are frequently located in difficult to access or isolated positions, so remote functionality helps promote production efficiency by saving time and money and reducing the need for staff on-site. Remote access using a Web UI is planned for winter 2020 via a software update that will allow for menu setting, status monitoring, log files and firmware updates to be done offsite. The web-based application is easy to setup and does not require dedicated software. In addition, when using compatible lenses, operators can adjust the back focus of the camera remotely. For enhanced flexibility, tally can be supported through an IP network cable.
The HDC-P31 provides superb HD imagery with exceptionally high sensitivity of F12 (at 1080/60i, 1080/60p), F13 (at 1080/50i, 1080/50p). It boasts impressively low noise (62dB), making it possible to capture content even in challenging lighting conditions.
Additionally the HDC-P31 meets the increasing demand for HDR production by supporting HDR with a choice of S-Log3 / HLG. Additionally, the camera accommodates Sony’s SR Live workflow, offering simultaneous production in HDR and SDR, which can be done by one production team to reduce cost and complexity. The HDC-P31 also supports SR Live metadata, which is embedded in the SDI signal feed and ensures consistent quality of both HDR and SDR signals throughout the live production pipeline.
After 20 Years of Acting, Megan Park Finds Her Groove In The Director’s Chair On “My Old Ass”
Megan Park feels a little bad that her movie is making so many people cry. It's not just a single tear either — more like full body sobs.
She didn't set out to make a tearjerker with "My Old Ass," now streaming on Prime Video. She just wanted to tell a story about a young woman in conversation with her older self. The film is quite funny (the dialogue between 18-year-old and almost 40-year-old Elliott happens because of a mushroom trip that includes a Justin Bieber cover), but it packs an emotional punch, too.
Writing, Park said, is often her way of working through things. When she put pen to paper on "My Old Ass," she was a new mom and staying in her childhood bedroom during the pandemic. One night, she and her whole nuclear family slept under the same roof. She didn't know it then, but it would be the last time, and she started wondering what it would be like to have known that.
In the film, older Elliott ( Aubrey Plaza ) advises younger Elliott ( Maisy Stella ) to not be so eager to leave her provincial town, her younger brothers and her parents and to slow down and appreciate things as they are. She also tells her to stay away from a guy named Chad who she meets the next day and discovers that, unfortunately, he's quite cute.
At 38, Park is just getting started as a filmmaker. Her first, "The Fallout," in which Jenna Ortega plays a teen in the aftermath of a school shooting, had one of those pandemic releases that didn't even feel real. But it did get the attention of Margot Robbie 's production company LuckyChap Entertainment, who reached out to Park to see what other ideas she had brewing.
"They were very instrumental in encouraging me to go with it," Park said. "They're just really even-keeled, good people, which makes... Read More