Sony Electronics has released details on its latest camera, the HDC-P31, a point of view (POV) system camera with remote functionality and 1080/60p HDR capability that complements the company’s versatile lineup of box and portable system camera options. As the demand to streamline media production workflows increases, the model’s remote menu setting and status monitoring minimize the time and personnel needed on-site during a production, since POV cameras are often mounted in inaccessible or hard to reach locations or used on a crane, rail or robotics system. The flexible and lightweight HDC-P31 is ideal for studio, faith and rental applications, and sports production. The HDC-P31 is planned to be available in November of 2020.
The new HD model incorporates a global shutter three 2/3-inch CMOS sensor system for enhanced optical performance that provides high sensitivity and low noise. In addition, the camera is designed to be used as an integral part of Sony’s popular HDC series ecosystem, creating the same stunning images and look and using the same workflow, but in a smaller POV form factor. The camera creates a comprehensive system while working alongside Sony’s XVS series of switchers for a powerful ELC Live Production Control Automation system.
“The heart of the camera is its image sensor, and as a leader in sensor technology, Sony continues to combine our legacy and expertise in imaging with feedback from our user base to develop the necessary tools to enhance our lineup and serve the production community,” said Theresa Alesso, pro division president, Sony Electronics. “From resolution and form factor to price and future capabilities, Sony prides itself on providing choices that empower our users. With the launch of the HDC-P31, Sony is delivering an option that responds to the industry’s request for remote functionality, paired with a smaller footprint for more mounting freedom, both of which contribute to a streamlined media production workflow.”
Key features
POV cameras are frequently located in difficult to access or isolated positions, so remote functionality helps promote production efficiency by saving time and money and reducing the need for staff on-site. Remote access using a Web UI is planned for winter 2020 via a software update that will allow for menu setting, status monitoring, log files and firmware updates to be done offsite. The web-based application is easy to setup and does not require dedicated software. In addition, when using compatible lenses, operators can adjust the back focus of the camera remotely. For enhanced flexibility, tally can be supported through an IP network cable.
The HDC-P31 provides superb HD imagery with exceptionally high sensitivity of F12 (at 1080/60i, 1080/60p), F13 (at 1080/50i, 1080/50p). It boasts impressively low noise (62dB), making it possible to capture content even in challenging lighting conditions.
Additionally the HDC-P31 meets the increasing demand for HDR production by supporting HDR with a choice of S-Log3 / HLG. Additionally, the camera accommodates Sony’s SR Live workflow, offering simultaneous production in HDR and SDR, which can be done by one production team to reduce cost and complexity. The HDC-P31 also supports SR Live metadata, which is embedded in the SDI signal feed and ensures consistent quality of both HDR and SDR signals throughout the live production pipeline.
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More