Production industry veteran Dan Perry has been named director of the Sony Digital Motion Picture Center. The DMPC is located on Stage 7 at Sony Pictures Entertainment and is designed to provide a unique creative environment for shooting and evaluating images of the highest-quality.
Perry will manage both the daily activities at the DMPC and the long-term vision for the facility, using his extensive experience in bringing new technologies to Hollywood’s brightest creative minds. During his 16-year career at Sony, Perry has been instrumental in creating widespread acceptance for landmark technologies in the motion picture and television industries, including Sony’s XDCAM system for reality TV and the HDCAM SR format for episodic television and motion pictures.
“Dan has great relationships in Hollywood with the Guilds, unions, postproduction houses and cinematographers,” said Alec Shapiro, president of the DMPC. “He has an intimate knowledge of our customers’ specific needs, and he understands the importance of tailoring solutions to meet these unique requirements.”
In addition to Perry, the DMPC team includes Keith Vidger, Dhanendra Patel, Kazuo Endo, Joel Ordesky, Rob Willox and Jaclynne Gentry. Supporting the DMPC is a full roster of accomplished creative professionals who plays a key role in developing and managing the DMPC’s educational curriculum. Among them is cinematographer Curtis Clark, ASC.
Open since May, the DMPC offers weekly training classes on a range of topics including: camera operation, on-set color management, data handling, dailies creation, editing and color grading. Complementing Sony’s camera technology is some of the industry’s best equipment, including products from Adobe, Angeneiux, Anton Bauer, Assimilate, Avid, Black Magic Design, Chapman, Colorfront, Cooke, FilmLight, Fujinon, Leader, Leica, MTI, O’Connor, and YoYotta.
The DMPC’s weekly, hands-on training courses focus on Sony’s full range of Super 35mm cameras–most notably the F65 CineAlta® Digital Motion Picture Camera. In addition to training, productions interested in the F65 for features and television can test the camera and the workflow of their choice at the DMPC.
Is “Glicked” The New “Barbenheimer”? “Wicked” and “Gladiator II” Hit Theater Screens
"Barbenheimer" was a phenomenon impossible to manufacture. But, more than a year later, that hasn't stopped people from trying to make "Glicked" — or even "Babyratu" — happen.
The counterprogramming of "Barbie" and "Oppenheimer" in July 2023 hit a nerve culturally and had the receipts to back it up. Unlike so many things that begin as memes, it transcended its online beginnings. Instead of an either-or, the two movies ultimately complemented and boosted one another at the box office.
And ever since, moviegoers, marketers and meme makers have been trying to recreate that moment, searching the movie release schedule for odd mashups and sending candidates off into the social media void. Most attempts have fizzled (sorry, "Saw Patrol" ).
This weekend is perhaps the closest approximation yet as the Broadway musical adaptation "Wicked" opens Friday against the chest-thumping sword-and-sandals epic "Gladiator II." Two big studio releases (Universal and Paramount), with one-name titles, opposite tones and aesthetics and big blockbuster energy — it was already halfway there before the name game began: "Wickiator," "Wadiator," "Gladwick" and even the eyebrow raising "Gladicked" have all been suggested.
"'Glicked' rolls off the tongue a little bit more," actor Fred Hechinger said at the New York screening of "Gladiator II" this week. "I think we should all band around 'Glicked.' It gets too confusing if you have four or five different names for it."
As with "Barbenheimer," as reductive as it might seem, "Glicked" also has the male/female divide that make the fan art extra silly. One is pink and bright and awash in sparkles, tulle, Broadway bangers and brand tie-ins; The other is all sweat and sand, blood and bulging... Read More