The Facebook drama “The Social Network” was picked as the year’s best picture Sunday by the influential Los Angeles Film Critics Association.
The group’s best-actor prize went to Colin Firth for the British monarchy tale “The King’s Speech,” while Kim Hye-ja won best actress for the South Korean drama “Mother.” The runners-up were Edgar Ramirez for the terrorist epic “Carlos” and Jennifer Lawrence for the Ozarks crime thriller “Winter’s Bone.”
Overseas crime dramas won the other acting honors: Jacki Weaver as supporting actress for Australia’s “Animal Kingdom” and Niels Arestrup as supporting actor for France’s “A Prophet.” The runners-up were Olivia Williams for the thriller “The Ghost Writer” and Geoffrey Rush for “The King’s Speech.”
In a tie vote, the directing prize was shared by David Fincher for “The Social Network” and Olivier Assayas for “Carlos,” which also was the best-picture runner-up. “Carlos” won for best foreign-language film, and the runner-up was “Mother.”
“The Social Network,” which stars Jesse Eisenberg as Facebook founder Mark Zuckerberg, won two other honors: Aaron Sorkin earned the best-screenplay prize, while composers Trent Reznor and Atticus Ross shared the award for best musical score with Alexandre Desplat for “The Ghost Writer.”
The runner-up for best screenplay was David Seidler for “The King’s Speech,” which stars Firth as Queen Elizabeth II’s father, George VI, as he struggles to overcome a debilitating stammer.
Tom Hanks and Tim Allen’s blockbuster “Toy Story 3” was chosen as best animated film, while French filmmaker Sylvain Chomet’s “The Illusionist” was runner-up.
Winners, including career-achievement recipient Paul Mazursky, will be honored at a ceremony in Los Angeles on Jan. 15.
Along with the New York Film Critics Circle, which announces its winners Monday, the Los Angeles reviewers’ awards are among the key critical picks that help single out potential favorites on the buildup to the Feb. 27 Academy Awards.
“The Social Network” and “The King’s Speech” generally are considered the front-runners for the Oscars, whose nominations come out Jan. 25.
Top critics groups usually pick different films, though 2009’s “The Hurt Locker” preceded its best-picture win at the Oscars with the same honor from the Los Angeles and New York groups, along with the National Society of Film Critics.
Critics’ awards also often go to smaller, even obscure films, though the Los Angeles group went mainstream two years ago and gave its best-picture prize to the animated blockbuster “WALL-E.”
Among the group’s other awards Sunday:
Cinematography: Matthew Libatique, “Black Swan”; runner-up, Roger Deakins, “True Grit.”
Production design: Guy Hendrix Dyas, “Inception”; runner-up, Eve Stewart, “The King’s Speech.”
Documentary: “Last Train Home”; runner-up, “Exit Through the Gift Shop.”
Utah Leaders and Locals Rally To Keep Sundance Film Festival In The State
With the 2025 Sundance Film Festival underway, Utah leaders, locals and longtime attendees are making a final push — one that could include paying millions of dollars — to keep the world-renowned film festival as its directors consider uprooting.
Thousands of festivalgoers affixed bright yellow stickers to their winter coats that read "Keep Sundance in Utah" in a last-ditch effort to convince festival leadership and state officials to keep it in Park City, its home of 41 years.
Gov. Spencer Cox said previously that Utah would not throw as much money at the festival as other states hoping to lure it away. Now his office is urging the Legislature to carve out $3 million for Sundance in the state budget, weeks before the independent film festival is expected to pick a home for the next decade.
It could retain a small presence in picturesque Park City and center itself in nearby Salt Lake City, or move to another finalist — Cincinnati, Ohio, or Boulder, Colorado — beginning in 2027.
"Sundance is Utah, and Utah is Sundance. You can't really separate those two," Cox said. "This is your home, and we desperately hope it will be your home forever."
Last year's festival generated about $132 million for the state of Utah, according to Sundance's 2024 economic impact report.
Festival Director Eugene Hernandez told reporters last week that they had not made a final decision. An announcement is expected this year by early spring.
Colorado is trying to further sweeten its offer. The state is considering legislation giving up to $34 million in tax incentives to film festivals like Sundance through 2036 — on top of the $1.5 million in funds already approved to lure the Utah festival to its neighboring... Read More