SMPTE®, the organization whose standards work has supported a century of advances in entertainment technology, has announced the approval of the first standards within SMPTE ST 2110, Professional Media Over Managed IP Networks, a new standards suite that specifies the carriage, synchronization, and description of separate elementary essence streams over professional internet protocol (IP) networks in real-time for the purposes of live production, playout, and other professional media applications.
“Radically altering the way professional media streams can be handled, processed, and transmitted, SMPTE ST 2110 standards go beyond the replacement of SDI with IP to support the creation of an entirely new set of applications that leverage information technology (IT) protocols and infrastructure,” said SMPTE president Matthew Goldman, senior VP of technology, TV and media, at Ericsson. “Our Drafting Group worked diligently to complete the first documents of this critical standards suite. The formal standardization of the SMPTE ST 2110 documents enables a broad range of media technology suppliers to move forward with manufacturing and meet the industry’s high demand for interoperable equipment based on the new suite of standards.”
With SMPTE ST 2110 standards, intrafacility traffic now can be all-IP, which means that organizations can rely on one common data-center infrastructure rather than two separate facilities for SDI and IP switching/routing. The foundation for the first SMPTE ST 2110 standards came from Video Services Forum (VSF) Technical Recommendation for Transport of Uncompressed Elementary Stream Media Over IP (TR-03), which VSF agreed to make available to SMPTE as a contribution toward the new suite of standards.
SMPTE ST 2110 standards make it possible to separately route and break away the essence streams — audio, video, and ancillary data. This advance simplifies, for example, the addition of captions, subtitles, and Teletext, as well as tasks such as the processing of multiple audio languages and types. Each essence flow may be routed separately and brought together again at the endpoint. Each of the component flows — audio, video, and ancillary data (there may be multiple streams of each type) — are synchronized, so the essence streams are co-timed to one another while remaining independent.
The new SMPTE ST 2110 standards are a primary focus of the IP Showcase at IBC2017, where SMPTE is joining with the Audio Engineering Society (AES), Alliance for IP Media Solutions (AIMS), Advanced Media Workflow Association (AMWA), European Broadcasting Union (EBU), IABM, Media Networking Alliance (MNA), and Video Services Forum (VSF) to support the event. The IP Showcase features the latest advances in IP technology for the professional media industries and demonstrates how SMPTE ST 2110 standards add value. Numerous interoperability demonstrations assist broadcast/IT engineers, CEOs, producers, and others in understanding how they can leverage the benefits of ST 2110 standards.
More information about SMPTE ST 2110 standards is available here.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More