Due to the success of its daylight viewable monitors, SmallHD introduces its brightest, full-featured 17” reference grade monitor ever made, the 1703-P3X. Double the brightness of other 17” reference monitors, it is at home in full sunlight, and covers 100 percent of the DCI-P3 and Rec 709 color spaces. The 1703-P3X features a 1500:1 contrast ratio and a 179° viewing angle, along with SmallHD’s Pagebuilder OS toolset. The new monitor is being unveiled at IBC (stand 12.E65).
“This monitor is both bright, extremely color accurate, and offers true reference grade cinema color,” said Wes Philips, SmallHD co-founder. “Covering 100% of the DCI-P3 color space, it’s the perfect monitor for DIT’s on-set or location and for mastering in post.”
Designed to serve the demanding color display requirements of both on-set and post production color grading professionals, the 1703-P3X comes pre-calibrated for DCI-P3 and Rec 709 for both broadcast use and cinema mastering. Covering 100% DCI-P3 with a Delta E average of <0.5, it offers easy installation of the user’s own 3D LUT calibration with advanced color management solutions like Light Illusion’s, LightSpace CMS, or SpectraCal’s CalMAN.
The 1703-P3X features one HDMI and two SDI inputs plus one HDMI and two SDI outputs. The fast and intuitive operating system allows ganging of on-screen tools like HD waveform, vectorscope, false color, focus peaking and 2x zebra bars simultaneously. Its Dual View function allows users to monitor two input sources simultaneously with side-by-side viewing.
The new monitor’s bright display supports any LUT workflow through SmallHD’s ColorFlow 3D LUT Engine which enables 3D LUT support, allowing previously created look-up tables to be used on-set. LUTS can be applied via the monitor’s full-size SD slot. This information can also be pushed downstream to other monitors. A LUT altered on-set with third party software, such as LiveGrade, can be viewed on the monitor and/or downstream monitors, and uploaded to an SD card for reference in post.
The 1703P3X is constructed of rugged milled aluminum to withstand the rigor of production. It features numerous ¼-inch and 3/8-inch threaded mounting points, a VESA mount and RapidRail accessory mounting system. The monitor can easily power wireless accessories like Teradek with built in 12V 2-pin LEMO auxiliary power. It can be powered via 4-pin XLR by optional V-mount and Gold-mount battery packs for wireless operation.
MSRP for the 1703-P3X is $3,999.
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More