Netflix documentary on Sylvester Stallone to make its world premiere on Sept. 16
Sly has been named the closing night gala movie for the 48th edition of the Toronto International Film Festival. A vivid exploration of an illustrious life woven through the silver screen, this documentary about actor, writer, director, and producer Sylvester Stallone will have its world premiere on Saturday, September 16, at Roy Thomson Hall.
“Stallone’s story is one of perseverance, triumph, and his indelible mark left on the world of film, and we couldn’t be more honoured to share it with our audiences as our closing night film,” said Cameron Bailey, TIFF CEO. “Celebrating the legacy of a true icon, Sly takes audiences on an intimate journey through the life of Stallone, a cultural touchstone whose impact on cinema spans nearly half a century. Sly offers an unexpected and heartfelt exploration of the man behind the action megastar.”
Directed by Thom Zimny (Springsteen on Broadway, Elvis Presley: The Searcher), Sly is an intimate and unexpected look at the early life of the action megastar as well as a reflection on his career that spans nearly 50 years.
Sly shows Stallone’s rough beginnings in New York City as a troubled kid who’d escape his angry household to watch movies all day and then come home to write scripts himself. Zimny leads Stallone through his rollercoaster career, which exploded when Rocky–the title role for which he had to fight to play, despite having written the now iconic movie–catapulted him to a level of stardom for which he was entirely unprepared.
The documentary takes this storied filmography and juxtaposes it with Stallone’s personal journey, exploring how his inspirational underdog story informed both the indelible characters he has brought to life and the man he has become. There are highs and there are lows. There are regrets and there are triumphs. But Stallone has kept punching.
Stallone gained international acclaim with his portrayal of Rocky and Rambo, with both projects becoming highly successful franchises over multiple decades. Other film credits include Demolition Man, Cliffhanger, Cop Land, Escape Plan, and more recently The Expendables and Creed, which earned Stallone an Academy Award nomination in 2016. Stallone currently stars in the hit series Tulsa King, which has been renewed for a second season.
Sly is produced by Sean Stuart, and executive produced by Braden Aftergood, Bill Zanker, Sam Delcanto, Jon Beyer, Tom Forman, Jenny Daly, and Stallone.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More