Number | Title | Music / Sound | Audio Post | Agency | Production |
1 | ESPN “Believe” | Endless Noise, Santa Monica Jeff Elmassian, creative director/composer; Andy Rehfeldt, composer; Shari Christensen, executive producer | Downstream, Portland, Ore. Lance Limbocker, mixer | Wieden + Kennedy, New York | LAIKA/house, Portland, Ore.; Mark Gustafson, director |
2 | Adidas,
“What’s Inside” | Elias Art, bicoastal Jonathan Elias, composer | Crescendo! Studios, San Francisco; Craig Helmholz , mixer | 180/TBWA & TBWA/Chiat/Day, San Francisco | Biscuit Filmworks, Los Angeles; Noam Murro, director |
3 | Longhorn Steakhouse, “Girlfriend” | Fluid, New York Judson Crane, composer/sound designer; David Shapiro, executive producer; Brad Stratton producer | Sound Lounge, New York; Tom Jucarone, mixer | McKinney, Durham, N.C. | Biscuit Filmworks, Los Angeles; Mike Bigelow, director |
4 | Expedia.com, “Anthem” | Asche & Spencer Music, Minneapolis Thad Spencer and Richard Werbowenko, composers; Janell Schmitt, producer | Lime Studios, Santa Monica; Loren Silber, mixer | Deutsch, Los Angeles | Moxie Pictures, bicoastal/international Errol Morris, director |
5 | Siemens,
“Building Blocks” | Siblings Music, New York Mario Grigorov, composer; Michelle Barbieri, producer | Bionic Media, New York; Jody Nazzarro, mixer | Publicis, New York | Mass Market TV, New York; Chris Staves and Marco Spier, directors |
6 | Toyota RAV4, “Boxes” | Mutato Muzika, Los Angeles; Mark Mothersbaugh, composer; Robert Miltenberg, producer; John Enroth, engineer Machine Head, Venice, Calif. Stephen Dewey, sound designer; Vicki Ordeshook, head of production/producer | Ravenswork, Venice, Calif.; Eric Ryan and Robert Feist, mixers; Katherine Morgan, managing director | Saatchi & Saatchi LA, Torrance, Calif. | Villains, bicoastal; Phillipe Andre, director |
7 | Nike,
“Awake” | Lost Planet, bicoastal; Hank Corwin, editor/sound designer; AC/DC’s “Rock and Roll Ain’t Noise Pollution” | Eleven, Santa Monica; Jeff Payne. Mixer; DJ Fox-Engstrom, executive producer | Wieden + Kennedy, Portland, Ore. | RSA USA, bicoastal; Jake Scott, director |
8 | America Express, “Open Minded” | Big Foote Music, New York Darren Solomon, composer; Ray Foote, executive producer | audioEngine, New York; Tom Goldblatt, mixer | Ogilvy & Mather, New York; Sara Matarazzo, music producer | Form, Los Angeles; Jesse Dylan, director |
9 | Reebok,
“Hockey Centric” | Tonefarmer, New York; Jimmy Harned and Raymond Loewy, composers; Tiffany Senft, executive producer | Final Cut, New York; Roland Alley, mixer/sound designer | mcgarrybowen, New York | Biscuit Filmworks, Los Angeles; Steve Rogers, director |
10 | Sony PlayStation Portable, “Pass” | Elias Arts, bioastal; Ben Kahle, composer | Ravenswork, Venice, Calif.; Eric Ryan, mixer | TBWA/Chiat/Day, Los Angeles | Believe Media, bicoastal Vogel.Villar-Rios, directors |
Marlee Matlin Is “Not Alone Anymore” At Sundance, Opens Up In A New Documentary
Marlee Matlin gives an unflinchingly honest account of her experiences as a deaf actor in the funny and revelatory documentary "Marlee Matlin: Not Alone Anymore." The film kicked off the 41st Sundance Film Festival Thursday, as the first major premiere in the Eccles Theater in Park City, Utah.
After the screening audiences in the theater, some wiping tears away, greeted Matlin with a standing ovation when she took the stage.
The film delves into all aspects of her life, personal and professional: Her childhood and how her family handled learning she had become deaf at 18 months; her experience winning the best actress Oscar for her first movie role in "Children of a Lesser God" and her allegedly abusive romantic relationship with her co-star, the late William Hurt, which he denied; and her experiences in an industry not equipped to accommodate deaf actors.
The film was directed by Shoshanna Stern, who also is deaf. Matlin specifically requested that Stern take on the project when American Masters approached her about doing a documentary.
Matlin has written about her experiences before, including her volatile relationship with Hurt and drugs, in a memoir, "I'll Scream Later." But before the #MeToo movement, she felt her allegations were largely dismissed or glossed over.
Interviews from the book's press tour show journalists were more interested in the "amazing sex" she said she had with Hurt than the stories of the alleged physical and verbal abuse. One interviewer asked her why she waited "so long" to come forward with the claims.
The documentary isn't just a portrait of Matlin, but a broader look at deaf culture and how Matlin was thrust into the spotlight at a young age as a de facto spokesperson for all deaf... Read More