The Television Academy’s Hall of Fame Selection Committee announced the induction of television legends, including John Wells, Shonda Rhimes and the entire original cast of Saturday Night Live, into the 24th Hall of Fame class.
This recognition is given to “persons who have made outstanding contributions in the arts, sciences or management of television via career contributions and achievements.”
The ceremony and red carpet arrivals will take place on Wednesday, November 15, at the Television Academy’s Saban Media Center.
The honorees are:
- John Wells – Six-time Emmy-winning writer and producer.
- Shonda Rhimes – Three-time Emmy-nominated writer, producer and director.
- Joan Rivers – (posthumous honor) Daytime Emmy-winning comedienne.
- Roy Christopher – Ten-time Emmy-winning art director and production designer.
- Original cast of Saturday Night Live – Honoring the groundbreaking work of Emmy nominees and winners Dan Aykroyd, John Belushi (posthumous honor), Chevy Chase, Jane Curtin, Garrett Morris, Laraine Newman, and Gilda Radner (posthumous honor).
“All of these individuals are innovators who have shaped television and left an indelible mark on the medium and our culture,” said Hayma Washington, chairman and CEO of the Television Academy. “We are honored to welcome the latest group of distinguished individuals and look forward to showcasing their impacts for future generations.”
The 2017 honorees join more than 135 individuals previously inducted into the Hall of Fame since its inception in 1984. The coveted honor has been bestowed upon actors, comedians, directors, producers, costume designers, writers, animators, executives, reporters and various other individuals whose work in television has no equal.
“Television’s evolution can be attributed to the substantial work of numerous individuals,” said Hall of Fame Selection Committee chair Rick Rosen. “It is a pleasure to honor a group whose contributions have had and will continue to have a powerful influence on our ever-exciting and evolving industry.”
The Hall of Fame Selection Committee is chaired by Rosen, head of television for William Morris Endeavor. In addition to Rosen, this year’s committee included Emmy Award-winning producer Marcy Carsey; Bonnie Hammer, chairman of NBCUniversal Cable Entertainment Group; Fred Silverman, founder of The Fred Silverman Company and former executive at ABC, CBS and NBC; and Nina Tassler, president of CBS Entertainment.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More