The Screen Actors Guild said Saturday it will ask its members to authorize a strike after its first contract talks in four months with Hollywood studios failed despite the help of a federal mediator.
Federal mediator Juan Carlos Gonzalez adjourned the talks between SAG and the Alliance of Motion Picture and Television Producers shortly before 1 a.m. after two marathon sessions failed to produce an agreement. No new talks are scheduled.
The SAG, representing more than 120,000 actors in movies, television and other media, said in a statement that it will launch a “full-scale education campaign in support of a strike authorization.”
Talks broke down after the studios sought the right to create productions for new media, such as the Internet, using nonunion actors and without paying residuals, said Doug Allen, SAG national executive director and chief negotiator.
Residuals are payments to actors that are made every time a production airs, such as TV reruns. Many SAG members rely on residuals for more than half of their income, Allen said.
“They’re asking us to bless a system we believe would be the beginning of the end of residuals, and that’s a very scary thought for working actors,” he said.
The producers’ alliance condemned the SAG decision and said it remains the only major Hollywood guild without a labor deal this year.
“Now, SAG is bizarrely asking its members to bail out the failed negotiating strategy with a strike vote — at a time of historic economic crisis,” a producers’ statement said. “The tone-deafness of SAG is stunning.”
SAG’s national board has already authorized its negotiating committee to call for a strike authorization vote if mediation failed. The vote would take more than a month and require more than 75 percent approval to pass.
SAG wants union coverage for all Internet-only productions regardless of budget and residual payments for Internet productions replayed online, as well as continued actor protections during work stoppages.
But the AMPTP said it was untenable for SAG to demand a better deal than what writers, directors and another actors union accepted earlier in the year, especially now that the economy has worsened.
The producers’ group this week said it had reached its sixth labor deal this year, a tentative agreement on a three-year contract with the local branches of the International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts, accounting for 35,000 workers.
The stagehands alliance accepted Internet provisions that were modeled on agreements with other unions, the producers group said.
Actors in prime-time television shows and movies have been working under the terms of a contract that expired June 30, with the hope of avoiding a repeat of the 100-day writers strike which shut down production of dozens of TV shows and cost the Los Angeles area economy an estimated $2.5 billion.
“Se7en” Turns 30, Gets A Special Restoration From David Fincher For Its Re-Release
For David Fincher, seeing “Se7en” in 4K was an experience he can only describe as harrowing. That or a high school reunion.
“There are definitely moments that you go, ‘What was I thinking?’ Or ‘Why did I let this person have that hairdo’?” Fincher said in a recent interview with The Associated Press.
He’s OK with the film being a product of its time in most respects. But some things just could not stand in high-definition resolution.
“It was a little decrepit, to be honest,” said Fincher. “We needed to resuscitate it. There are things you can see in 4K HDR that you cannot see on a film print.”
Ever the perfectionist, he and a team got to work on a new restoration of the film for its 30th anniversary re-release. This weekend the restored “Se7en” will play on IMAX screens for the first time in the U.S. and Canada, and on Jan. 7, the 4K UHD home video version will be available as well.
The dark crime thriller written by Andrew Kevin Walker and starring Brad Pitt and Morgan Freeman as a pair of detectives looking for a serial killer was somewhat of a career-reviver for Fincher, whose directorial debut “Alien 3” had not gone well. “Se7en” was not a sure thing: It was made for only $34 million (and only got that when Fincher managed to persuade studio execs to give up $3 million more). But it went on to earn more than $327 million, not accounting for inflation, and continues to influence the genre.
Fincher has over the years overseen several restorations of the film (including one for laser disc) but decided this needed to be the last. It’s why he insisted on an 8K scan that they could derive the 4K from. He wanted to ensure that it wouldn’t have to be repeated when screens get more... Read More