Films thus far include "Ammonite," "Another Round," "Bruised," "Concrete Cowboy," "Fauna," "Good Joe Bell," "Spring Blossom," "True Mothers"
By Jake Coyle, Film Writer
NEW YORK (AP) --The Toronto International Film Festival, one of the leading launching pads for fall movies and Oscar contenders, on Wednesday announced plans for a smaller 2020 edition with virtual red carpet premieres and drive-in screenings.
The Toronto festival, held annually in early September, is typically a sprawling city-wide affair that hosts between 250-400 feature-length films and the debuts of many of the fall movie season’s top releases. Due to the pandemic, organizers said that this year’s festival will be contingent on the go-ahead from Ontario health officials.
But for now, TIFF is radically remaking itself. The normal 10 days of festival-going will be halved, at least in physical screenings. For the festival’s first five days, it will present social-distanced screenings of premieres, including drive-ins and outdoor screenings.
But for the first time, TIFF will also roll out a digital platform that will span the full 10 days of the festival and include digital screenings and talks. Those will include digital screenings for press and industry members, thousands of whom normally flock to Toronto.
It remains possible that international travel to Canada will be prohibited for much of the film industry. The U.S.-Canada border is closed through at least July 21.
“The pandemic has hit TIFF hard, but we’ve responded by going back to our original inspiration — to bring the very best in film to the broadest possible audience,” said Cameron Bailey, co-head and artistic director. “Our teams have had to rethink everything, and open our minds to new ideas.”
Slated to screen at this year’s festival thus far to date are: "Ammonite," directed by Francis Lee (United Kingdom); "Another Round," from director Thomas Vinterberg (Denmark); "Bruised," the debut film from director Halle Berry (USA); "Concrete Cowboy" by filmmaker Ricky Staub (USA); "Fauna," from director Nicolás Pereda (Mexico/Canada); "Good Joe Bell" by director Reinaldo Marcus Green (USA); "Spring Blossom," the debut film by director Suzanne Lindon (France); and "True Mothers" by director Naomi Kawase (Japan). More titles will be announced over the summer. These films, though, are a fraction of TIFF’s typical lineup. Last year’s festival included the world premieres of “Knives Out,” “Jojo Rabbit,” “Harriet,” “A Beautiful Day in the Neighborhood” and “Just Mercy,” among many others.
No major film festival has been held since the global onset of COVID-19. France’s Cannes Film Festival, Austin’s SXSW and New York’s Tribeca Film Festival have all been shut down and forced to improvise. Cannes went ahead with a selection announcement, to help celebrate the movies it had intended to screen. SXSW screened participating films on Amazon Prime for a week.
When the Academy Awards recently postponed it ceremony by two months, the calendar also shifted for the premier fall festivals, including those in Venice and Telluride. Should an even somewhat normal awards season proceed, the September run of those three festivals doesn’t align as well with an April 25 Oscars.
Like other festivals, the non-profit TIFF has suffered staff reductions. Earlier this week, it let go 31 full-time employees. Its headquarters and downtown cinemas have been closed since March, though it launched a virtual moviegoing platform with “Stay-At-Home Cinema.”
First-Time Feature Directors Make Major Splash At AFI Fest, Generate Oscar Buzz
Two first-time feature directors who are generating Oscar buzz this awards season were front and center this past weekend at AFI Fest in Hollywood. Rachel Morrison, who made history as the first woman nominated for a Best Cinematography Oscar---on the strength of Mudbound in 2018--brought her feature directorial debut, The Fire Inside (Amazon MGM Studios), to the festival on Sunday (10/27), and shared insights into the film during a conversation session immediately following the screening. This came a day after William Goldenberg, an Oscar-winning editor for Argo in 2013, had his initial foray into feature directing, Unstoppable (Amazon MGM Studios), showcased at the AFI proceedings. He too spoke after the screening during a panel discussion. The Fire Inside--which made its world premiere at this year’s Toronto International Film Festival--tells the story of Claressa “T-Rex” Shields (portrayed by Ryan Destiny), a Black boxer from Flint, Mich., who trained to become the first woman in U.S. history to win an Olympic Gold Medal in the sport. She achieved this feat--with the help of coach Jason Crutchfield (Brian Tyree Henry)--only to find that her victory at the Summer Games came with relatively little fanfare and no endorsement deals. So much for the hope that the historic accomplishment would be a ticket out of socioeconomic purgatory for Shields and her family. It seemed like yet another setback in a cycle of adversity throughout Shields’ life but she persevered, going on to win her second Gold Medal at the next Olympics and becoming a champion for gender equality and equitable pay for women in sports. Shields has served as a source of inspiration for woman athletes worldwide--as well as to the community of... Read More