Films selected by Library of Congress for their cultural, historic or aesthetic value
By Brett Zongker
WASHINGTON (AP) --“Saving Private Ryan” and “Ferris Bueller’s Day Off” are among 25 movies being inducted this year into the National Film Registry for long-term preservation, the Library of Congress announced Wednesday.
The library selected films for their cultural, historic or aesthetic qualities. This year’s selections span the years 1913 to 2004. They include such familiar and popular titles as “The Big Lebowski” and “Willy Wonka and the Chocolate Factory,” while others were milestones in film history.
Stephen Spielberg’s “Saving Private Ryan” from 1998 was chosen in part for its ultra-realism with scenes depicting “war as hell.” On a lighter note, the comedy “Ferris Bueller’s Day Off” from 1986 was chosen as the first film on the registry from the late director John Hughes. Curators noted Ferris Bueller emerged as one of the great teen heroes of film.
The oldest selection dates to 1913 and is believed to be the earliest surviving feature film starring black actors. Vaudevillian Bert Williams gathered with black performers in New York City to make the film “Bert Williams Lime Kiln Club Field Day.” The film was discovered 100 years later in the film vault at the Museum of Modern Art.
The Library of Congress runs a major film preservation effort at its audio-visual conservation center built inside a Cold War-era bunker in Culpeper, Virginia. With this year’s additions, the National Film Registry now includes 650 films — a small part of the library’s motion picture collection, which contains 1.3 million items.
“By preserving these films, we protect a crucial element of American creativity, culture and history,” Librarian of Congress James Billington said in announcing the new selections.
Some of the most endangered films are silent films. A report from the library last year found 70 percent of the nation’s silent feature films have been lost and only 14 percent still exist in their original 35 mm format.
The silent films selected for preservation this year include “The Dragon Painter” from 1919, starring Hollywood’s first Asian star, Sessue Hayakawa, and the 1916 silent film “Shoes,” which examined poverty and prostitution, curators said.
Other films were chosen for their cultural significance. A 1976 independent film entitled “Please Don’t Bury Me Alive!” that was chosen for the registry is considered by historians to be the first Chicano feature film. Set in a San Antonio barrio, filmmaker Efrain Gutierrez explored his story as a young Chicano man, questioning his people’s place in society at the end of the Vietnam War as thousands of his Latino brethren returned home in coffins. Others faced segregation, poor schools and a justice system that was filling prisons with Chicanos. The filmmakers were angry with how Hollywood portrayed Mexican Americans.
“We were invisible in our own national culture,” Gutierrez said in a written statement. “We were being buried alive.”
Here are the 25 films selected in 2014 by the Library of Congress to be preserved as part of the National Film Registry:
— “13 Lakes” (2004)
— “Bert Williams Lime Kiln Club Field Day” (1913)
— “The Big Lebowski” (1998)
— “Down Argentine Way” (1940)
— “The Dragon Painter” (1919)
— “Felicia” (1965)
— “Ferris Bueller’s Day Off” (1986)
— “The Gang’s All Here” (1943)
— “House of Wax” (1953)
— “Into the Arms of Strangers: Stories of the Kindertransport” (2000)
— “Little Big Man” (1970)
— “Luxo Jr.” (1986)
— “Moon Breath Beat” (1980)
— “Please Don’t Bury Me Alive!” (1976)
— “The Power and the Glory” (1933)
— “Rio Bravo” (1959)
— “Rosemary’s Baby” (1968)
— “Ruggles of Red Gap” (1935)
— “Saving Private Ryan” (1998)
— “Shoes” (1916)
— “State Fair” (1933)
— “Unmasked” (1917)
— “V-E Day + 1” (1945)
— “The Way of Peace” (1947)
— “Willy Wonka and the Chocolate Factory” (1971)
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More