FKA twigs' music video directed by Hiro Murai takes #1 slot with "surreal realism"
By A SHOOT Staff Report
MPC’s visual effects studios in Los Angeles and Bangalore teamed with director Hiro Murai of Doomsday Entertainment on this stunning music video, “Sad Day,” for FKA twigs. The clip’s artistry propelled it to the #1 slot in SHOOT’s quarterly Top Ten VFX/Animation Chart.
Beginning in a café late at night, the music video follows FKA twigs as she encounters an unidentified man and they start to sword-fight, breaking out of the café and into the streets. The visually unique video–for the pensive song “Sad Day” from FKA twigs’ latest album “MAGDALENE”–is based on the sensual movements of Wushu martial arts, which is used to depict the complex relationship between the two characters.
MPC worked in close collaboration with Murai throughout, helping to create the choreographed fight sequence across buildings, epic smashes through shop windows, and a dramatic final scene where FKA twigs is sliced in half with a samurai sword. Digital matte painting was also used throughout to build out and enhance the gritty backdrops.
The effects team, led by MPC’s creative director Michael Gregory, VFX supervisor Toya Drechsler and CG supervisor Corinne DeOrsay, helped define the final sequence, including the look of the FKA twigs’ anatomy “post-slice.” Gregory said, “We carried out a test shoot beforehand to determine how the split would work and how to practically shoot it. We then modeled her in 3D and split her in two from her waist up. We re-projected the live action over the split model, creating a hollow shell for the CG to go on top.”
He added, “It was important that the sequence was not bloody or gory; instead it needed to look beautiful and otherworldly. For her new inner body, we concepted in 2D based on some key images from Hiro, and we then moved into 3D look development, with Hiro’s original vision organically morphing into something that we were all happy with.”
The end result is an ethereal yet warm and inviting material, incorporating the qualities of blooming flowers and glistening elements.
“Surreal realism”
Drechsler, who also served as co-head of Nuke for MPC, shared, “I think the biggest creative challenge on this job was to emulate Hiro’s description of a feeling–a ‘warm, inviting hug’ in pixel form. We did a lot of concepts, tests and references to finally land on the outerworldly petal interior of twigs’ body and then pushed the look of it, carefully avoiding the two extremes of gore on one side and something too glowy/magical on the other, which allowed us to stay within the realm of surreal realism.”
The film was shot by DP Larkin Seiple and graded by MPC’s Ricky Gausis, enhancing the final piece and looking at each sequence independently. “As the video moves through the different set ups, Hiro, Larkin and I were given the opportunity to give each one its own identity, in some respects,” Gausis commented. Referring to the diner scene, he added, “The warm and sweaty diner plays well against the street-fighting sequence where we were liking the more cyan/green tones. This in turn offset really nicely against the warm apartment which was more intimate and inviting when compared to the gritty warmth we see earlier in the diner.”
This marks a continued collaboration between Gausis and Murai, who have a longstanding relationship, previously teaming up on the “This is America” music video by Childish Gambino, multiple commercials, FX’s Atlanta series and Childish Gambino’s film Guava Island.
Murai is an alum of SHOOT’s 2010 New Directors Showcase and a three-time Emmy Award nominee–two of the nods coming for Outstanding Comedy Series in 2017 and 2018 as EP on Atlanta, and one in 2018 for Outstanding Directing for a Comedy Series on the strength of the “Teddy Perkins” episode of Atlanta.
Click here for this quarter’s Top Ten VFX and Animation Chart.
“Heretic” and “Maria” Set As Red Carpet Premieres At AFI Fest
The American Film Institute (AFI) has announced that Heretic, the psychological thriller starring Hugh Grant, and Maria, based on the life of opera singer Maria Callas starring Angelina Jolie, will round out the Red Carpet Premieres section at this year’s AFI Fest. The Heretic Gala Screening will take place on Thursday, October 24, and the Maria Gala Screening will be held on Saturday, October 26. The complete Red Carpet Premieres section includes the world premieres of Music By John Williams, Robert Zemeckis’ Here, Wallace & Gromit: Vengeance Most Fowl and Clint Eastwood’s Juror #2. All Red Carpet Premieres will take place at the historic TCL Chinese Theatre. The full lineup for AFI Fest 2024 will be unveiled on October 1.
“At the heart of AFI Fest is an unwavering dedication to celebrating the best in global cinema--together,” said Bob Gazzale, AFI president and CEO. “We look forward to uniting artists and audiences once again to be inspired by the art form in a powerful sense of community.”
Heretic follows two young missionaries (Sophie Thatcher and Chloe East) who are forced to prove their faith when they knock on the wrong door and are greeted by a diabolical Mr. Reed (portrayed by Grant), becoming ensnared in his deadly game of cat-and-mouse. The film is directed by Scott Beck and Bryan Woods and produced by Stacey Sher, Beck, Woods, Julia Glausi and Jeanette Volturno. The film will be released nationwide by A24 on November 8.
Directed by Pablo Larraín, Maria presents a tumultuous and beautiful depiction of one of the world’s most renowned artists and reimagines the legendary soprano in her final days in Paris, as Callas (Jolie)... Read More