By Maris Sherman, Music Writer
LOS ANGELES (AP) --Can you feel the Kenergy?
Ryan Gosling's Oscars performance of the "Barbie" power ballad "I'm Just Ken" stole the show earlier this month. The popularity of his star-studded, Slash-soloing, "Gentlemen Prefer Blondes"-channeling set is still being felt.
Luminate, the industry data and analytics company, found that on-demand U.S. audio and video streams for "I'm Just Ken" topped three million streams in the week after the Academy Awards. That's a 422% increase from the prior week, when it had 600,000 streams.
Video made up a large portion of that jump: moving from 70,000 streams the week prior to 1.8 million.
That increase was felt across the music of "Barbie," but in smaller amounts: the full-film's soundtrack, "Barbie The Album," saw a jump of 23%, from 19 million to 23 million, and the Oscar-winning song, Billie Eilish and Finneas' "What Was I Made For?" saw an increase of 19% across U.S. audio and video streams, from 6.7 million to eight million.
With their win, Eilish, 22, became the youngest person to win two Oscars. The second youngest? Her brother Finneas, at age 26.
The Oscars' "I'm Just Ken" performance — which featured a stage full of "Kens" and Gosling serenading "Barbie" director Greta Gerwig and others — also saw big numbers on YouTube: two million views on the Oscars' official channel and 8.6 million on Atlantic Records' page — the major label that released "Barbie The Album."
The Oscars themselves saw a bump in ratings, also due to the popularity of "Barbie" and "Oppenheimer." An estimated 19.5 million people watched the 96th Academy Awards ceremony on ABC, up 4% from last year — and the biggest number drawn by the telecast in four years.
Review: Writer-Directors Scott Beck and Bryan Wood’s “Heretic”
"Heretic" opens with an unusual table setter: Two young missionaries from The Church of Jesus Christ of Latter-day Saints are discussing condoms and why some are labeled as large even though they're all pretty much a standard size. "What else do we believe because of marketing?" one asks the other.
That line will echo through the movie, a stimulating discussion of religion that emerges from a horror movie wrapper. Despite a second-half slide and feeling unbalanced, this is the rare movie that combines lots of squirting blood and elevated discussion of the ancient Egyptian god Horus.
Our two church members — played fiercely by Sophie Thatcher and Chloe East — are wandering around trying to covert souls when they knock on the door of a sweet-looking cottage. Its owner, Mr. Reed, offers a hearty "Good afternoon!" He welcomes them in, brings them drinks and promises a blueberry pie. He's also interested in learning more about the church. So far, so good.
Mr. Reed is, of course, if you've seen the poster, the baddie and he's played by Hugh Grant, who doesn't go the snarling, dead-eyed Hannibal Lecter route in "Heretic." Grant is the slightly bumbling, bashful and self-mocking character we fell in love with in "Four Weddings and a Funeral," but with a smear of menace. He gradually reveals that he actually knows quite a bit about the Mormon religion — and all religions.
"It's good to be religious," he says jauntily and promises his wife will join them soon, a requirement for the church. Homey touches in his home include a framed "Bless This Mess" needlepoint on a wall, but there are also oddities, like his lights are on a timer and there's metal in the walls and ceilings.
Writer-directors Scott Beck and Bryan Wood — who also... Read More