The Ruth Bader Ginsburg biopic “On the Basis of Sex” (Participant Media) is having its world premiere at the 32nd AFI Fest in Los Angeles.
The American Film Institute says the film starring Felicity Jones as the Supreme Court Justice will open the festival at the TCL Chinese Theater on November 8.
Mimi Leder directed “On the Basis of Sex,” which follows Ginsburg’s early years as a young lawyer before her appointment to the U.S. Supreme Court. Leder was also a groundbreaker in her own field as one of the first women admitted to the AFI Conservatory.
“On the Basis of Sex” will open in theaters nationwide on December 25. It’s the second high-profile film this year about Ginsburg, following the acclaimed documentary “RBG.”
Meanwhile closing the AFI Fest will be the world premiere of “Mary Queen of Scots” (Focus Features, Working Title).
Directed by Josie Rourke and written by Academy Award® nominee Beau Willimon, the historical drama is based on John Guy’s biography, “Queen of Scots: The True Life of Mary Stuart.” The film stars Academy Award® nominees Saoirse Ronan and Margot Robbie, along with Jack Lowden, Joe Alwyn, Gemma Chan, Martin Compston, Ismael Cordova, Brendan Coyle, Ian Hart, Adrian Lester, James McArdle, David Tennant and Guy Pearce.
The closing night gala will take place on November 15 at the TCL Chinese Theatre.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More