The woman in charge of weapons on the movie set where actor Alec Baldwin fatally shot cinematographer Halyna Hutchins said Wednesday night that she had inspected the gun Baldwin shot but doesn't know how a live bullet ended up inside.
"Who put those in there and why is the central question," Hannah Gutierrez Reed, the armorer for the movie "Rust" said in a statement issued by one of her lawyers, Jason Bowles of Albuquerque, New Mexico. "Hannah kept guns locked up, including throughout lunch on the day in question (Oct. 21), and she instructed her department to watch the cart containing the guns when she was pulled away for her other duties or on a lunch break."
The statement goes on to say that "Hannah did everything in her power to ensure a safe set. She inspected the rounds that she loaded into the firearms that day. She always inspected the rounds."
The statement adds that she inspected the rounds before handing the firearm to assistant director David Halls "by spinning the cylinder and showing him all of the rounds and then handing him the firearm."
"No one could have anticipated or thought that someone would introduce live rounds into this set," Gutierrez Reed's statement said.
The statement also noted that "she did firearms training for the actors as well as Mr. Baldwin, she fought for more training days and she regularly emphasized to never point a firearm at a person."
On Oct. 29, attorneys for Hannah Gutierrez Reed said she doesn't know where the live rounds found there came from and blamed producers for unsafe working conditions.
Santa Fe County Sheriff Adan Mendoza has said there was "some complacency" in how weapons were handled on the set of "Rust."
Investigators initially found 500 rounds of ammunition — a mix of blanks, dummy rounds and what appeared to be live rounds. Industry experts have said live rounds should never be on set.
Additional ammunition, a dozen revolvers and a rifle also were seized in the search of a white truck used for storing props including firearms, according to an inventory list filed Friday in court.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More