Paris Barclay, president of the Directors Guild of America (DGA), announced that longtime Guild executive Russell Hollander has succeeded Jay D. Roth as national executive director. The planned transition was first announced in February and occurred at the DGA’s National Board meeting on Saturday, May 6.
“I’m honored to have been selected to lead our Guild into the future. For over 15 years, I have been part of our leadership team that has accomplished so much together, and am proud to continue the 80-year tradition that’s made it all possible – a strong partnership between our elected leaders and staff,” said Hollander. “I thank our Board for their confidence. And I thank Jay, my mentor, for building the template for success in advancing the creative and economic rights of directors and their teams. In a world where most labor unions are shrinking–our membership has nearly doubled, and the DGA’s position in our industry has grown more powerful than ever under his guidance over the past two decades. I look forward to building on that momentum.”
Barclay said, “In this pivotal moment, we’re incredibly fortunate to have Russ–a long-time, dedicated Guild executive who is well–poised to tackle the world of tomorrow. With Russ at the helm of our incredible DGA staff, we’re confident in our future, but we’re also grateful for how far we’ve come. There aren’t enough words to thank Jay for the many milestones achieved under his guidance, and for developing a new generation of executive leadership. Our Guild is in good hands.”
Roth and Hollander for many months have worked with the DGA’s National Board, Councils and senior executive staff to ensure a seamless transition. Roth, after 22 years as national executive director, will remain with the Guild as sr. advisor. He will continue in his role with the DGA-Producer Pension and Health Plans, and overseeing the Guild’s research department.
“The future is bright for our Guild. For over a decade and a half, Russ has played a pivotal role on my senior executive team in our many milestones, in navigating complex industry dynamics and shifting technologies, and in shepherding our growing footprint. There is nobody better prepared to take the reins,” said Roth. “I thank our Board, and all the presidents I have worked alongside, for the opportunity and the privilege to do what I love–serve this phenomenal Guild for so many years.”
Hollander, a 16-year DGA veteran, formerly headed the DGA’s New York office before moving to its Los Angeles headquarters to take on an expanded national role in January 2016 to focus on the growing challenges of national and international representation of directors and their teams in all genres represented by the DGA. During his tenure, Hollander has served as the DGA’s chief negotiator in six network negotiations with ABC, CBS, and NBC; and four commercial negotiations with the Association of Independent Commercial Producers. He was also a leading participant in the Guild’s most recent BA/FLTTA Negotiations which achieved unprecedented gains in subscription video on demand (SVOD). Hollander’s other responsibilities have included oversight of enforcement of the Guild’s collective bargaining agreements in the Eastern region, and national responsibility for non-dramatic programming, news, sports, commercials and new media.
Hollander joined the DGA in 2001 as assistant Eastern executive director, was promoted to Eastern executive director in 2002, and promoted again in 2011 to Eastern executive director/associate national executive director. Prior to joining the DGA, he was a partner at top labor law firm Cohen, Weiss and Simon LLP where he specialized in the representation of labor organizations and employee benefit plans. During that time, he also worked to strengthen the rights of unions. Hollander received his law degree from Harvard University and his undergraduate degree from Cornell University’s School of Industrial and Labor Relations.
Hollander is married to Helena Prigal, and they have a son, Ben, and twin daughters, Anna and Laura.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More