By Gary Gerard Hamilton
NEW YORK (AP) --Rosario Dawson has graced both the big and small screens, in everything from dramas to comedies to Marvel superhero projects, yet she's rarely been cast as the lead in a project.
That has changed with her USA series "Briarpatch" where she plays fashionable political fixer Allegra Dill, who returns home to her Texas border town following the bombing death of her police officer sister. She's turning over all stones, attempting to solve the murder in the quirky, gumshoe drama, which made its debut last month.
"I'm not used to being No. 1 on the call sheet and the few times that I have have been small little indie films that I've produced myself," said Dawson.
She says she doesn't take the series for granted: "I know a lot of actors who shoot pilots and then the show doesn't ever get picked up and continue. And then we did."
Dawson has consistently stayed busy both on Hollywood sets and political stages with former Democratic presidential candidate and current boyfriend, U.S. Sen. Cory Booker (Booker sat in on the interview, snapping pictures with his phone). However, she calls this her toughest role to date, balancing the strenuous physical challenges of the role with her personal challenges as her father battles pancreatic cancer.
"It just was so interesting, vacillating between this incredibly raw emotional experience with my dad and then playing this character who is trying to figure out how to deal with her grief and even appreciating her grief because she just lived such a hard life," said Dawson. "I've just never had so many of all of my faculties and energies being pulled out at once."
Dawson talked about being a leading actor, inclusion in Hollywood and her longstanding commitment to political activism. Questions and answers have been edited for brevity.
Q: What's this role been like for you as the star of the series?
Dawson: I got to see all these different things, not just the intensity of the work and the rigor that's demanded, but really also the opportunity to be there every single day. There's so much of so many films and projects that I've worked on that I missed because I wasn't on set.
Q: You've always been vocal about representation, and even though streaming services have allowed for more diversity, it's doesn't seem to reflect that in awards shows like the Oscars.
Dawson: The gatekeepers of culture have looked in a very particular way for a really long time, and the reality is they still do. They had a very particular strong hold on want that content would look like. But now with streaming services, there's demand and they're starving for as much content as possible. So I think the financial aspect has definitely piqued people's interest to be more inclusive and more representative.
Q: Eva Longoria and Zoe Saldana joined the LA Collab initiative which hopes to double Latino representation in Hollywood by 2030. Do you think that can help? (A study by the Annenberg Inclusion Initiative found that less than 5% of the nearly 50,000 of speaking or named characters in films from the last 12 years were Latino.)
Dawson: We have we have a lot more work to do, especially when you talk about the Latinx community, because we over-index online, we over-consume everything … we're the largest minority in the country. … The power is there — it's being recognized. But right now, it's mostly just being commodified and like taken in as a consumer sort of perspective and what we're really needing to (do is) push back.
Q: This is the 15th anniversary of Voto Latino, your voter mobilization organization and you're also in a relationship with a former Democratic presidential candidate. Do you know who you'll support now?
Dawson: This year, and that's something Cory and I talk about actually quite a lot, is just how critical, and I think we're seeing that on a regular basis, just how critical it is to have representation that's actually repetitive of this nation in Congress and in the Senate. And so for me, that's probably my biggest focus now that he's no longer the front runner that I can support in the presidential race … But for me, more — not more than that — but I think, in equal terms, but in a sense more because it only happens every 10 years, is the census. That is something that is, I think, really, really critical. And we're going to see a lot of fervor around this presidential election, but we're not hearing nearly enough about the census. … So that's something that I'm really pushing for.
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More