By Danica Kirka
LONDON (AP) --The Rolling Stones are threatening President Donald Trump with legal action for using their songs at his rallies despite cease-and-desist directives.
The Stones said in a statement Sunday that their legal team is working with music rights organization BMI to stop use of their material in Trump's reelection campaign.
"The BMI have notified the Trump campaign on behalf of the Stones that the unauthorized use of their songs will constitute a breach of its licensing agreement,'' the Stones said. "If Donald Trump disregards the exclusion and persists, then he would face a lawsuit for breaking the embargo and playing music that has not been licensed.''
The Stones had complained during Trump's 2016 campaign about the use of their music to fire up his conservative base at rallies.
The Rolling Stones' 1969 classic "You Can't Always Get What You Want" was a popular song for his events. It was played again at the close of Trump's recent rally in Tulsa, Oklahoma — an indoor event criticized for its potential to spread coronavirus.
Other artists have also complained about having their music associated with Trump's events.
The family of the late rock musician Tom Petty said that it had issued a cease-and-desist order after Trump used the song "I Won't Back Down'' in Tulsa.
"Trump was in no way authorized to use this song to further a campaign that leaves too many Americans and common sense behind,'' the statement said. "Both the late Tom Petty and his family firmly stand against racism and discrimination of any kind. Tom Petty would never want a song of his to be used in a campaign of hate. He liked to bring people together.''
Grammy Award-winning musician Neil Young lashed out at Trump in 2018 after hearing one of his songs played against his wishes during Trump's pre-midterm campaign rallies. The Canadian-born musician admonished Trump for using his 1990 single, "Rockin' in the Free World," in spite of earlier warnings.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie โ a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More