By Nomaan Merchant
BEIJING (AP) --The Canbot can say its name, respond to voice commands, and "dance" as it plays Michael Jackson's "Billie Jean." Other robots China is displaying at the World Robot Conference can play badminton, sand cell phone cases and sort computer chips.
China is showcasing its burgeoning robot industry at the five-day exhibition in Beijing, part of a national effort to promote use of more advanced technologies in Chinese factories and create high-end products that redefine the meaning of "Made in China."
Apart from the cool factor, China's sweeping plans to upgrade its factories and production lines depend on building and better using advanced robots. Automation is crucial for industries facing rising labor costs and slowing growth in the work force thanks to the "one-child" policy era and aging of the population.
China will have to make big strides to leap ahead of Germany, Japan and other nations whose robots are generations ahead.
Infinities International Group, based in eastern China's Shandong, advertises its Canbot U-Partner as a service robot that could be programmed to run in shopping malls, restaurants and banks. But it's modeled on the "Pepper" robot made by Japan's SoftBank.
Nearby, Peng Zhihui and Luo Binyi stood with "Ares," a human-sized robot they designed with exposed metal arms and hands and a wide range of uses in mind, from the military to performing basic tasks in a home.
Peng and Luo, both 24, developed the mannequin-like Ares while attending college in southwestern China's Sichuan province. A Shanghai investment company pitched in some funding.
"Many robots aren't very useful right now, but will show their true value when they are used in homes in the future," Peng said.
Thousands of factories in southern China's industrial centers which long were manned by low-cost migrant workers, are now turning to robots. China has become the world's top consumer of industrial robots and will soon have the most commercial robots in operation of any country. Foxconn, the Taiwanese firm that assembles Apple's iPhones in China, has installed 40,000 robots in its factories.
China made robotics a focal point of its recent "Made in China 2025" plan, and has set national goals of producing 100,000 industrial robots a year and having 150 robots in operation for every 10,000 employees by 2020, a figure known as robot density. Currently, China ranks 28th in the world for robot density, behind Portugal and Indonesia. Chinese suppliers sold about 20,000 robots last year to local companies.
"There has never been such a dynamic rise in such a short period of time in any other market," the International Federation of Robotics said in an analysis of China's robot industry published earlier this year.
Steve Wyatt, head of sales and marketing for Switzerland-based ABB Robotics, said his company employs more than 1,600 people in China and has seen its sales in China grow by a factor of 50.
But the country remains behind in terms of the complexity of tasks Chinese-made robots can handle, Wyatt said.
Chinese appliance maker Midea Group recently announced it was purchasing almost all of German industrial robot manufacturer Kuka.
Wing Chu, a senior economist at the Hong Kong Trade Development Council, said China will continue to seek foreign expertise to advance in robotics as part of a broader effort to transform its economy.
"In the longer term, China wants to upgrade all its industries," he said.
Associated Press researcher Yu Bing contributed to this report.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More