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    Ring Of Fire Raises A Fireballer For T-Mobile

    By SHOOT StaffUpdated:No Comments1574 Views
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    CLIENT

    T-Mobile.

    PRODUCTION CO.

    Epoch Films, bicoastal.

    Phil Morrison, director; Peter Donahue, DP; Jerry Solomon and Doug Halbert, executive producers; Dina Oberley, producer. Shot on location in Studio City, Calif.

    AGENCY

    Publicis Seattle.

    Bob Moore, creative director; Adam Oliver, producer; Patrick Mullins, art director; Kammie McArthur, copywriter.

    EDITORIAL

    Slice Editorial, Seattle.

    Johnna Turiano, editor; Dan Mullins, assistant editor.

    POST/VISUAL EFFECTS

    Ring Of Fire Advanced Media,

    West Hollywood.

    John Ciampa, online editor/Inferno artist; John Myers, executive producer; Jerry Spivack, creative director; Casey Conroy, producer/on-set visual effects supervisor; Paul Geiger, Inferno artist; David Sudd, animator.

    Flying Spot Film Transfer, Seattle.

    Jeff Tillotson, colorist.

    AUDIO POST/

    SOUND DESIGN

    Clatter & Din, Seattle.

    Vince Werner, mixer/sound designer.

    THE SPOT

    In "Baseball," a man receives a video message from his wife while he’s in a meeting. He views the message and finds out that his toddler son is throwing baseballs through the wall in their home. The ecstatic dad yells out and jumps from his seat in excitement, then composes himself when he notices his co-workers looking at him quizzically. The :30 ends with the tagline, "T-Mobile. Get more."

    Spot broke in May.

    Category:ScreenWork



    L.A. Location Lensing Declines In 2024 Despite Uptick In 4th Quarter

    Wednesday, January 15, 2025

    FilmLA, partner film office for the City and County of Los Angeles and other local jurisdictions, has issued an update regarding regional filming activity. Overall production in Greater Los Angeles increased 6.2 percent from October through December 2024 to 5,860 Shoot Days (SD) according to FilmLA’s latest report. Most production types tracked by FilmLA achieved gains in the fourth quarter, except for reality TV, which instead logged its ninth consecutive quarter of year-over-year decline.

    The lift across all remaining categories came too late to rescue 2024 from the combined effects of runaway production, industry contraction and slower-than-hoped-for post- strike recovery. With just 23,480 SD filmed on-location in L.A. in 2024, overall annual production finished the year 5.6 percent below the prior year. That made 2024 the second least productive year observed by FilmLA; only 2020, disrupted by the global COVID-19 pandemic, saw lower levels of filming in area communities.

    The continuing decline of reality TV production in Los Angeles was among the most disappointing developments of 2024. Down 45.7 percent for the fourth quarter (to 774 SD), the category also finished the year down 45.9 percent (to 3,905 SD), which placed
    it 43.1 percent below its five-year category average.

    The two brightest spots in FilmLA’s latest report appeared in the feature film and television drama categories. Feature film production increased 82.4 percent in the fourth quarter to 589 SD, a gain analysts attribute to independent film activity. The
    California Film & Television Tax Credit Program also played a part, driving 19.2 percent of quarterly category activity. Overall, annual Feature production was up 18.8 percent in 2024, though the... Read More

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