By Mark Kennedy
"Barbarian" starts at night with a heavy downpour and a thunderclap. So far, so good, for what seems to be a classic horror movie. Hold onto your ponchos.
Some two hours later you will have seen virtually every horror convention —- from doors slamming on their own to weird monsters with mommy issues and subterranean torture rooms — ingeniously messed about with. Even the title is a misdirection.
"Barbarian" marks the auspicious feature film debut of director-writer Zach Cregger, someone well-versed in film tropes and with a subtle skill at social satire approaching Jordan Peele levels. He will also somehow make you laugh hard in oases of humor before the dread reappears.
It starts on a rainy middle-of-the-night street of a half-ruined section of Detroit when a young woman (Georgina Campbell) finds her Airbnb-rented house weirdly occupied by a stranger (Bill Skarsgård.) "I don't know what the protocol for all this is," he tells her. Their little awkward dance — checking booking receipts, offering to sleep on the couch — seems to point to a tiny tale of gender roles and microagressions. Yet somehow it will evolve into a hair-on-fire horror flick with eyeball-gouged skulls.
Make no mistake: Cregger is playing with us every step of the way. Casting Skarsgård as the is-he-a-sweetie-or-not comes colored by his role as Pennywise in "It," and even the film's setting is a slight-of-hand — a bombed out section of Detroit with the Airbnb home in its center was actually filmed in Bulgaria.
Later, the arrival of Justin Long — playing a slimy TV figure of a new show tellingly called "Chip off the Block" — clouds things further, he being an actor long associated with good-guy comedy. Cregger is somehow leaning into Hollywood conventions even outside his own movie.
As good as the casting is, it is the house that is the real star, nicely appointed but cookie-cutter, in a sea of torn up and decayed homes. It has an alarming basement with a horrific room that has a soiled bed, a bucket and a camera. But there's more: An even creepier cavernous space below. You can almost hear Cregger cackling as our heroes face TWO horror-film ready basements. "You're safe," says one. "I don't think I am," another replies. (They're not, by the way, of course.)
One running joke is that Campbell spends so much time trying to escape the house and yet smashing her way back into it moments later that more than one person in the audience at a recent screening loudly implored her to get into her Jeep Cherokee and just drive away.
All along are reaches for real social issues — redlining, misogyny, character redemption, gun accidents and police misconduct, among them — that elevate the film from genre-gazing silliness. There may be a monster inside the house, but forces outside that structure keep that monster firmly inside.
"Barbarian" is firmly of it's time — online house rental bookings, smart-phone flashlights and real estate square footage listings — and yet timeless, like an arm ripped off and used as a club. It was predictable and yet was impossible to predict. It's worth booking one night soon.
"Barbarian," a 20th Century Studios release that lands in theaters Friday, is rated R for "some strong violence and gore, disturbing material, language throughout and nudity." Running time: 103 minutes. Three stars out of four.
Mark Kennedy is an AP entertainment writer
SCHROM x Yacht Club and Be Electric Studios Launch Electric XR for Virtual Production
SCHROM x Yacht Club, a full-service live-action, tabletop, and postproduction company, has teamed with Be Electric Studios, a soundstage, equipment rental, and virtual production company, to launch Electric XR, a virtual production collective.
Industry veteran Thomas Rossano will lead the new venture, which provides advanced virtual production solutions across multiple facilities. He brings over 25 years of experience in live-action, tabletop, postproduction and talent curation to enhance Electric XR’s offerings as a resource for brands and agencies, as well as other production companies in need of virtual production solutions. Additionally Rossano continues to serve as EP at XR New York (XR-NY), a role he’s held since December 2022. SCHROM x Yacht Club originally established XR-NY to help provide XR services for third-party rentals. While XR-NY will continue to function independently for SCHROM X Yacht Club, it now operates under the Electric XR umbrella.
Rossano’s expertise spans producing live-action commercials, branded content, interactive and experiential content. In addition to leading Electric XR, he holds responsibilities at SCHROM x Yacht Club which include driving business development, collaborating with sales reps and expanding the company’s creative talent network. Rossano’s career includes serving as an exec producer at Hungry Man for about 11 years, right from that company’s inception. He then went on to become a partner at Station Film where he also had a lengthy tenure. Later he was a partner at PRISM. Then after the pandemic hit, he became a freelance EP for nearly two years, looking into opportunities in virtual production, which led him to XR NY and now Electric XR. Over the years, he has produced high-profile... Read More