By Mark Kennedy
"Bros," the latest romantic comedy to hit theaters, is absolutely revolutionary. And totally conventional. It's a film where both extremes can be true at the same time.
The revolutionary part comes from it being the first gay rom-com produced and distributed by a major American studio. And yet it hews very closely to the classic rom-com formula, right down to one of the star-crossed lovers suddenly realizing he's in love and sprinting to reunite with the other as music swells.
That's the genius of "Bros" — telling LGBTQ stories and wrapping it in a familiar storyline that everyone can relate to. At one point, we see our hero watching "When Harry Met Sally" and we quietly cheer as the universe of rom-coms just got another satellite. Some people may complain that it fits too neatly into the straight-people film formula, but revolutions weren't built in a movie.
Billy Eichner stars as Bobby Lieber, a slightly nerdy gay podcaster-turned-museum executive who has hit the age of 40 without having had a serious romantic relationship. The script by Nicholas Stoller (who also directed) and Eichner leans into the schtick Eichner has built as a loud, opinionated comic on "Billy on the Street" but creates room for a wounded, insecure hero.
Eichner is navigating the fraught world of modern dating in the New York City gay community, which includes graceless app hookups, steroid use, dance-club ogling, legions of commitment-phobes and an emphasis on the physical and superficial — so just like straights!
When sparks fly between him and a hunky meathead — played understated and soulfully by Luke Macfarlane — it's clear that opposites attract. Our hero has a sunken chest, an unwavering belief that Abraham Lincoln was a closeted gay man and a high voice; the muscly hunk is a fan of Garth Brooks, hockey and "The Office." Yet he can also see to the core of our hero: "Getting angry at things is your brand," he tells him.
The filmmakers make sure "Bros" isn't a sanitized view of gay love, earning an R-rating for nudity, sex, lusty kissing and group encounters like throuples and a very funny, awkward four-way with a random guy named Steve. In many parts, it feels very much like every lingering, passionate kiss is blissfully punching through some sort of wall.
Stoller, who also directs, and Eichner load the script with plenty of gentle humor at non-gay targets. "Gay sex was more fun when straight people were uncomfortable," says one character. And a couple of recurring gags involve straight actors winning awards for playing gay — Benedict Cumberbatch, look out! — and the Hallmark Chanel's supposed embrace of non-hetero themes, like with the fictional bisexual titles "Christmas With Either" and the group rom-com "A Holly, Polly Christmas."
Gay stereotypes also get celebrated and pierced — endless voguing, Grindr photos, "Schitt's Creek" love, Barbra Streisand adoration and internal divisions among the LGBTQ community. Deborah Messing from "Will & Grace" makes a hilarious cameo ("I am not every gay man's best friend!" she wails) and Kaitlin Jenner is mocked as a "trans-terrorist." A key moment is when Eichner pierces the inclusive slogan "Love Is Love" with his retort "No, it's not." Gay love, he says, has different obstacles and complications and ramifications.
In his love affair, identity becomes the drama. Bobby is fiercely proud of being gay and not apologizing for it, while his love interest is more quiet about his sexuality, fatefully asking his lover to tone it down one night while meeting his parents. "A little less yourself," he explains. "I want them to like you." Everyone will understand what that means. That's straight out of a John Hughes rom-com.
It's not a perfect film — the first half sags a little, the jump in Bobby's career is jarring and some soliloquies land with a thud — but name us a perfect rom-com. This one has what the best have: heart, good faith and good old fashioned love. Welcome, "Bros," to the canon.
"Bros," a Universal Pictures release that hits theaters Friday, is rated R for strong sexual content, some drug use and language throughout. Running time: 115 minutes. Three and a half stars out of four.
Mark Kennedy is an AP entertainment writer
“Heretic” and “Maria” Set As Red Carpet Premieres At AFI Fest
The American Film Institute (AFI) has announced that Heretic, the psychological thriller starring Hugh Grant, and Maria, based on the life of opera singer Maria Callas starring Angelina Jolie, will round out the Red Carpet Premieres section at this year’s AFI Fest. The Heretic Gala Screening will take place on Thursday, October 24, and the Maria Gala Screening will be held on Saturday, October 26. The complete Red Carpet Premieres section includes the world premieres of Music By John Williams, Robert Zemeckis’ Here, Wallace & Gromit: Vengeance Most Fowl and Clint Eastwood’s Juror #2. All Red Carpet Premieres will take place at the historic TCL Chinese Theatre. The full lineup for AFI Fest 2024 will be unveiled on October 1.
“At the heart of AFI Fest is an unwavering dedication to celebrating the best in global cinema--together,” said Bob Gazzale, AFI president and CEO. “We look forward to uniting artists and audiences once again to be inspired by the art form in a powerful sense of community.”
Heretic follows two young missionaries (Sophie Thatcher and Chloe East) who are forced to prove their faith when they knock on the wrong door and are greeted by a diabolical Mr. Reed (portrayed by Grant), becoming ensnared in his deadly game of cat-and-mouse. The film is directed by Scott Beck and Bryan Woods and produced by Stacey Sher, Beck, Woods, Julia Glausi and Jeanette Volturno. The film will be released nationwide by A24 on November 8.
Directed by Pablo Larraín, Maria presents a tumultuous and beautiful depiction of one of the world’s most renowned artists and reimagines the legendary soprano in her final days in Paris, as Callas (Jolie)... Read More