By Jocelyn Novek, National Writer
A craggy, stormy volcanic island off Sicily. Some fabulous real estate. A little food porn. Tilda Swinton's face, and Ralph Fiennes' – well, a lot more than his face.
What more could a film buff want?
To be fair, "A Bigger Splash," by director Luca Guadagnino, has an uneven feel. For 90 minutes it floats along as a relaxed exploration of four quirky characters – attractive, lustful, bored, somewhat confused – and the shifting ties that bind them, carnally and otherwise. Then, suddenly and shockingly, it turns into a psychological thriller for the last half hour. It's a shift in tone that feels uneasy and a little forced.
But by then, you've been lulled into a second-glass-of-wine feeling – perhaps a result of watching those lazy, al fresco meals overlooking the sea. Your defenses are down, and you're ready to flow with it until the end, even though you have a feeling you're going to be left a little unsatisfied.
The setting is the Sicilian island of Pantelleria near Tunisia, where Marianne (Swinton) and her boyfriend of six years, Paul (Matthias Schoenaerts) are staying in a sprawling home atop rocky cliffs, with a nice swimming pool (the film is a reworking of the French New Wave classic "La Piscine," which should give aforementioned film buffs a sense of where things are headed).
Marianne is a rock star not unlike David Bowie – a role that fits the pale, androgynous, chameleon-like Swinton to a T – who is recovering from vocal cord surgery and not allowed to speak. This means that for most of the film, Swinton lacks one of an actor's chief instruments: the voice. This challenge also suits Swinton to a T; in fact, it was her own idea to render Marianne virtually speechless, jettisoning dialogue originally planned for her.
Boyfriend Paul is a rather brooding, hunky, protective type with his own troubled past, and the two are enjoying a fairly idyllic period of mutual recovery – nice meals, afternoons in the nude by the pool – when the phone rings. It's Harry (Fiennes), a gregarious record producer and Marianne's former flame, arriving unexpectedly on the island. As if his uninvited visit isn't enough, Harry's brought along a surprise: a 20-ish daughter, Penelope (Dakota Johnson), whom he's only recently met.
And now, dear reader, we digress for a moment to consider the simple delight of Ralph Fiennes' broadening, deepening performances in recent years. If you're like me, you might once have thought the best Fiennes moment came in that tragic, sexy scene where he brings Kristin Scott Thomas out of the cave in "The English Patient."
But that was 20 years ago, and since then Fiennes has been everything from deliciously villainous – yeah, the one with no name – to, recently, exquisitely funny in "The Grand Budapest Hotel." And now he is uninhibited, both physically and emotionally, and quite riveting as Harry, a man burning with unresolved appetite.
Watch him sing sexy karaoke with Penelope – yep, sexy karaoke with his daughter. Watch him try to woo Marianne back with the help of some warm, freshly made ricotta cheese (this is the aforementioned food porn.) And finally, watch Fiennes dance rapturously to the Stones' "Emotional Rescue." It's a cliche, but we'll say it: It's worth the price of admission.
OK, digression over. After 90 minutes on simmer, our four-burner stove goes straight to boil. A relationship sours, to stunning effect. Despite the feel that we've entered an entirely different film, it's hard to deny this is the most exciting part.
Well, almost. Have we mentioned Fiennes dancing to "Emotional Rescue"?
"A Bigger Splash," a Fox Searchlight release, is rated R by the Motion Picture Association of America "for graphic nudity, some strong sexual content, language and brief drug use." Running time: 124 minutes. Three stars out of four.
MPAA definition of R: Restricted. Under 17 requires accompanying parent or adult guardian.
SCHROM x Yacht Club and Be Electric Studios Launch Electric XR for Virtual Production
SCHROM x Yacht Club, a full-service live-action, tabletop, and postproduction company, has teamed with Be Electric Studios, a soundstage, equipment rental, and virtual production company, to launch Electric XR, a virtual production collective.
Industry veteran Thomas Rossano will lead the new venture, which provides advanced virtual production solutions across multiple facilities. He brings over 25 years of experience in live-action, tabletop, postproduction and talent curation to enhance Electric XR’s offerings as a resource for brands and agencies, as well as other production companies in need of virtual production solutions. Additionally Rossano continues to serve as EP at XR New York (XR-NY), a role he’s held since December 2022. SCHROM x Yacht Club originally established XR-NY to help provide XR services for third-party rentals. While XR-NY will continue to function independently for SCHROM X Yacht Club, it now operates under the Electric XR umbrella.
Rossano’s expertise spans producing live-action commercials, branded content, interactive and experiential content. In addition to leading Electric XR, he holds responsibilities at SCHROM x Yacht Club which include driving business development, collaborating with sales reps and expanding the company’s creative talent network. Rossano’s career includes serving as an exec producer at Hungry Man for about 11 years, right from that company’s inception. He then went on to become a partner at Station Film where he also had a lengthy tenure. Later he was a partner at PRISM. Then after the pandemic hit, he became a freelance EP for nearly two years, looking into opportunities in virtual production, which led him to XR NY and now Electric XR. Over the years, he has produced high-profile... Read More