By Sandy Cohen, AP Entertainment Writer
With a title like "Captain Underpants," you expect kid-friendly fart jokes and toilet humor. What you may not expect is a sweet story that touches on adult loneliness, the importance of arts education and how laughter and friendship are life essentials at any age.
Based on the popular children's book series, "Captain Underpants: The First Epic Movie " condenses four volumes into one brisk and colorful tale, but no prior knowledge of the books or characters is necessary. Honestly, you don't even need to bring a kid with you to have fun watching this film.
The story centers on fourth graders Harold and George, who are best friends and the most popular pranksters at Jerome Horwitz Elementary School. When they aren't playing tricks or being admonished by mean-spirited Principal Krupp, they're hanging out in George's treehouse writing comic books.
That's where they come up with their signature superhero, the dimwitted but joyous Captain Underpants.
Imagining kooky adventures for their caped character keeps the boys creating comics and laughing for hours – sometimes in class, which draws ire from the already-angry Principal Krupp. He's determined to catch Harold and George misbehaving, and threatens to put them in separate classrooms when he does.
In a desperate attempt to avoid punishment, the boys hypnotize Krupp and convince him he's actually the valiant Captain Underpants.
Ed Helms voices both Krupp and the Captain, the latter with soaring optimism. Kevin Hart dials down his usual outrageousness to play George, and Thomas Middleditch of TV's "Silicon Valley" voices Harold.
The villain here is the mysterious new science teacher, Professor P (Nick Kroll), who wants to eradicate all laughter from the school, and eventually the planet. When the students find out the "P'' stands for Poopypants, they can't stop laughing, and the professor is furious.
An ensuing showdown between Poopypants, Underpants, Krupp and the kids involves an army of angry, robotic toilets, because of course it does. The "Captain Underpants" books are aimed at 8- to 10-year-olds.
"Captain Underpants" connects with its key demographic through fart sounds, rogue toilets and funny names delivered in bright, saturated colors. But like the best children's movies, it offers enough substance for ticket-buying parents, too.
Krupp, for example, lives on Curmudgeon Boulevard and keeps a sign on his school desk that reads "Hope dies here." When Harold and George fear he'll report their misdeeds to their parents, Krupp demurs, saying, "Your parents are obviously total failures."
Meanwhile, Professor P is looking for a humorless mindset he can duplicate throughout the school. When he finds it in class kiss-up, Marvin (Jordan Peele), the professor says, "You have no sense of humor, like a chair or a supermodel."
Director David Soren captures the simple drawing style of Dav Pilkey's books but keeps the animation inventive with unexpected flourishes, including a sequence told through live-action sock puppets and another with flip-book animation "made" by George and Harold.
Creative parents' hearts are sure to be warmed when the school arts program is reinstated, and anyone who's ever been a kid can appreciate the fourth graders' mission to "make school fun again."
With its clever approach and volumes of source material, not to mention an ending (and title) that set up a possible sequel, Captain Underpants could be back, and he'd be welcome, farts and all.
"Captain Underpants: The First Epic Movie," a Twentieth Century Fox release, is rated PG by the Motion Picture Association of America for "mild rude humor throughout." Running time: 89 minutes. Three stars out of four.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More