By Jake Coyle, AP Film Writer
Feeling beaten down by the news? Why not watch a documentary on gerrymandering to cheer you up?
"Slay the Dragon," by Christopher Durrance and Barak Goodman, deftly outlines how redistricting has eroded American democracy and helped usher compromise out of our legislatures. It's a level-headed documentary about an unlevel playing field that traces the scope and magnitude of district map-drawing for political gain.
"Slay the Dragon," which will be available on-demand and in digital release Friday after having its theatrical release canceled by the coronavirus, may not be the most heartening portrait of our political system. But it's a vital one and it provides reasons for optimism, too.
Aside from laying out the strategies and manipulations of gerrymandering, it tracks a handful of those fighting its practice, including the lawyers whose case rises to the Supreme Court and a humble Michigan woman named Katie Fahey. She turns almost accidental activist when a Facebook post leads to the creation of a grassroots campaign to put Michigan's district drawing in the hands of a bipartisan citizen commission — a practice now used, in some form, in 21 states.
But most states have their maps drawn up by their own state legislatures every 10 years, an approach that can breed obvious conflicts of interest. Gerrymandering has been around for more than 200 years. Its name comes from a Massachusetts redistricting that gave early 19th century Boston-area districts the appearance of a salamander. Its long been a tool of both parties, though "Slay the Dragon" is focused on the Republican efforts to win state houses in the 2010 election with the intent to redraw maps.
It was a hugely successful effort (some of the key strategists are interviewed here) that led to the flipping of 11 state legislatures. The subsequent redistricting created its own assortment of oddly shaped maps: a "snake" in North Carolina, an "upside down elephant" in Texas, a "praying mantis" in Maryland.
Redistricting can have the result of quarantining the votes of one party or one demographic, thus muting the political power of potentially a larger portion of the public and essentially preordaining that a party will hold certain congressional seats. Several of North Carolina's districts, in a map that has since been ruled to have violated the state constitution, were 55% or 57% African American.
"Slay the Dragon" seeks to draw the connections between such seeming governmental minutia with much broader policy and political effects. The filmmakers explain how Michigan's redistricting played a pivotal role in the Flint Water crisis, how Wisconsin's redrawn districts fueled the divisive agenda of former Wisconsin Gov. Scott Walker and how such maps potentially aided the election of Donald Trump in 2016.
The movie is ultimately an effort to take something arcane and make it clear — to read between the lines, so to speak. No one will mistake the politics of "Slay the Dragon"; it's clearly liberal-leaning. But the aims of the documentary's characters aren't in themselves political: they want votes to count. And they don't want Washington operators remaking their districts.
"Slay the Dragon," a Magnolia Pictures release, is rated PG-13 by the Motion Picture Association of America for brief strong language. Running time: 101 minutes. Three stars out of four.
Oscar and Emmy-Winning Composer Kris Bowers Joins Barking Owl For Advertising, Branded Content
Music, audio post and sonic branding house Barking Owl has taken on exclusive representation of Oscar and Emmy-winning composer Kris Bowers for advertising and branded content.
Bowers’ recent film scores include The Wild Robot and Bob Marley: One Love, alongside acclaimed past works such as The Color Purple (2023), King Richard and Green Book. His contributions to television are equally impressive, with scores for hit series like Bridgerton, When They See Us, Dear White People, and his Daytime Emmy Award-winning score for The Snowy Day.
In addition to his work as a composer, Bowers is a visionary director. He recently took home the Academy Award for Best Documentary Short Subject for his directorial work on The Last Repair Shop. The emotionally touching short film spotlights four of the people responsible for repairing the musical instruments used by students in the Los Angeles Unified School District (LAUSD). The Last Repair Shop reflects the positive influence that musical instruments have on the youngsters who play them, and the adults in the LAUSD free repair service who keep them working and in tune.
Barking Owl CEO Kirkland Alexander Lynch said of Bowers, “His artistry, diversity of style and depth of storytelling bring an unparalleled edge to the work we create for global brands. His presence on our roster reflects our continued commitment to pushing the boundaries of sound and music in advertising.”
Johanna Cranitch, creative director, Barking Owl, added, “Kris first caught my attention when he released his record ‘Heroes + Misfits’ where he fused together his jazz sensibility with a deeply ingrained aptitude for melody, so beautifully.... Read More