Deluxe has brought on board Barbara Jean Kearney as VP of sales for its New York postproduction office. Kearney joins Deluxe New York from Technicolor Postworks, where she led feature sales since 2012. With nearly 20 years of experience in filmmaking, Kearney spent the latter half of her career facilitating postproduction on critically acclaimed features, including 2017’s The Florida Project and Lady Bird, the latter of which earned two Golden Globe Awards, and was nominated for five Oscars and three BAFTAs. She has deep ties to the New York film community and holds an affinity for projects with an independent spirit. Prior to feature sales, Kearney was a DI executive producer at Technicolor, and has also held management and producer roles at Stretch Films, MTV, and Odyssey Entertainment…
Branding and design studio Trollbäck+Company (Trollbäck) in NY has has added David Edelstein as executive director of client partnerships. In his new role, Edelstein will be responsible for developing new business and expanding the company’s client relationships. Edelstein brings more than 20 years of experience in corporate strategy, sales, and production management. A veteran producer whose background includes working in broadcast design, promo production, and commercials, he was most recently managing director at Mod Op and eyeball, a position he held for four years. He was also instrumental in overseeing the merger transition of the two into Mod Op. Previously, Edelstein was managing director at Click 3X, where he worked on high-profile projects, including the Super Bowl on CBS. Prior to Click 3X, he helped launch Nth Degree Creative Group; as managing director, he oversaw the full branding campaign for “Live Earth,” as well as projects for Microsoft, National Geographic, HGTV, CBS, MSG Network, and National Hockey League. After holding a producer position at Showtime for four years, Edelstein co-founded broadcast design company [fdg] in 2000, working on notable projects, such as the re-launch of the Sci Fi channel. He has also leveraged his expertise in the education field, serving as an adjunct instructor at NYU and the Parsons School of Design teaching career development courses at both schools…..
Production designer Rene Vas has joined Innovative Artists for representation in commercials. He has worked with brands such as Audi, Comedy Central, Bank of America and Cadillac….
Utah Scientific–which specializes in routing switchers, master control switchers and related control software–has named Robert Pennington to serve as Northeast regional sales manager. Pennington will take charge of all direct sales throughout the region covering Pennsylvania, New Hampshire, Vermont, Maine, Connecticut, New York, Rhode Island, Maryland, Washington D.C., Delaware, Massachusetts, Ontario, Quebec and other Eastern Canadian provinces. Chris Harmon, director of international sales, will assume responsibility for the Midwest sales territory covering Michigan, Indiana, Ohio, Kentucky and West Virginia…..
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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