Final Cut Editorial, with offices in L.A., NY and London, has signed Novick Inc. to represent its editors on the West Coast. Brent Novick founded Novick Inc. in 1996 and now has a roster that includes SMUGGLER, division7, Farm League, Los York, Emerald, Caruso Co., Method Studios and New Math Music. Additionally, Novick is the head of West sales for both SMUGGLER and division7. Working with Novick is Matt Conforti, who also handles sales duties across the roster….
International production company Arts & Sciences, with offices in L.A., New York and London, has hired Elise Jeanrenaud as head of sales in the U.K. market. She will work closely with James Bland, managing director/EP/partner at A&S U.K. Prior to joining A&S, Jeanrenaud was the new business director at Another Film Company, and before that held the same position at Great Guns….
Chicago-based Sonixphere, music and sound creators for advertising, series TV and film, has brought Matt Brooks aboard as head of international business development. The addition of Brooks comes at a strategic time for Sonixphere which is building on its U.S. based to expand globally, starting with Europe. Plans call for Sonixphere to begin operations (COVID-19 restrictions permitting) in Berlin, Germany this summer. Brooks previously served as regional director of operations at Sofar Sounds. Brooks spearheaded Sofar Sounds’ expansion initiatives while leading the subcommittee for Artist Diversity & Equity. He quickly developed the company’s operational strategies in response to COVID-19, executing over 250 live streams, panel discussions, and private digital events. Before switching to operations, Brooks booked artists for well over 500 Sofar Sounds events, including Andrew Bird, Jamila Woods, Tank & The Bangas, and Jessie Reyez….
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More