Rep Report
Delores Hively and Dawn Schiffman of Buzz Management, New York, have taken on East Coast representation for New York-based production company Czar and editorial house Crew Cuts, New York. Additionally, Buzz has signed music/sound design shop Pull, New York, for national representation….Corey Cirillo has been hired as the in-house West Coast rep for bicoastal music house Elias Arts….Cinematographer Steve Fierberg of HBO’s Entourage has signed with bicoastal Paradigm for exclusive representation….DP Alex Lamarque has wrapped second unit photography on The Da Vinci Code. Represented in all areas by Beverly Hills-based ICM, he is now available for commercials…..DP Adam Santelli is again available exclusively via the Lyons Sheldon Prosnit Agency, Los Angeles….DP Karsten “Crash” Gopinath has wrapped principal photography on Chris Robinson’s untitled feature through Warner Bros. and is again available for spots via The Skouras Agency, Santa Monica….ICM has signed costume designer Susan Nininger….Production designer David King has signed with Montana Artists Agency, Los Angeles, for spot and music video representation. His Kanye West music video, “Jesus Walks,” recently won an MTV VMA Award for best male video….Robert Eggers and Willem Dafoe Reunite For “Nosferatu”
When Willem Dafoe enjoys working with a filmmaker, he'll often jump at the chance to do it again.
The list of directors with whom the 69-year-old has worked with more than once is extensive, including Wes Anderson,Yorgos Lanthimos,Paul Schrader,Lars von Trier and, now for a third time, Robert Eggers. "If it's good, you come back," Dafoe said plainly.
The pair spoke about Eggers' adaptation of "Nosferatu" that hits theaters Wednesday, some of the challenges they faced making "The Lighthouse" โ their first project together released in 2019 โ and the unique relationship that exists between actors and directors.
The interview has been edited for clarity and brevity.
Q: Willem, I read that you called Robert after you saw "The Witch." What did you say?
DAFOE: I want to meet you and I want to know who this filmmaker is.
Q: What is it about him that keeps bringing you back?
DAFOE: Well, if it's good, you come back. When I saw "The Witch," I thought, "Wow, this is a film about a period that I'm not particularly knowledgeable about, but I enter it so easily. This is relevant. It's rooted. It's my story. I'm with these people."
That's quite an incredible trick because a lot of period films, they're always pointing to themselves. They're always sending messages. They're always showing. This had a kind of energy and the kind of physicality and sensuality that I thought, "Who does this? I gotta see this guy." And then I had a wonderful experience in "The Lighthouse" and I played a part that was really fun in "The Northman." So, when he wants to do this passion project and offers me this beautiful role of Professor Von Franz, I say,... Read More