Rep Report
Kari Romeo has been promoted to head of sales at Chelsea Pictures, overseeing national sales for the bicoastal/international shop. Jared Shapiro of Moustache, New York, will handle the East Coast for Chelsea…. Lana Fehretdinov has come on board Propeller Music & Sound Design, New York, for sales and business development. She was formerly at Big Foote Music, New York….Global Production Network, a Los Angeles-based firm representing production service companies from all over the world has added to that roster, signing El Camino Films, Montevideo, Uruguay, for exclusive U.S. representation…. Jill Young has joined bicoastal MOO Management as in-house producer/West Coast rep….DP Aaron Schneider has signed with Montana Artists Agency, Los Angeles, for spot representation…. DP Eagle Egilsson is now available through Innovative Artists, Santa Monica, for commercials and music videos after wrapping principal photography on both The Wire and CSI: Miami….Robert Eggers and Willem Dafoe Reunite For “Nosferatu”
When Willem Dafoe enjoys working with a filmmaker, he'll often jump at the chance to do it again.
The list of directors with whom the 69-year-old has worked with more than once is extensive, including Wes Anderson,Yorgos Lanthimos,Paul Schrader,Lars von Trier and, now for a third time, Robert Eggers. "If it's good, you come back," Dafoe said plainly.
The pair spoke about Eggers' adaptation of "Nosferatu" that hits theaters Wednesday, some of the challenges they faced making "The Lighthouse" โ their first project together released in 2019 โ and the unique relationship that exists between actors and directors.
The interview has been edited for clarity and brevity.
Q: Willem, I read that you called Robert after you saw "The Witch." What did you say?
DAFOE: I want to meet you and I want to know who this filmmaker is.
Q: What is it about him that keeps bringing you back?
DAFOE: Well, if it's good, you come back. When I saw "The Witch," I thought, "Wow, this is a film about a period that I'm not particularly knowledgeable about, but I enter it so easily. This is relevant. It's rooted. It's my story. I'm with these people."
That's quite an incredible trick because a lot of period films, they're always pointing to themselves. They're always sending messages. They're always showing. This had a kind of energy and the kind of physicality and sensuality that I thought, "Who does this? I gotta see this guy." And then I had a wonderful experience in "The Lighthouse" and I played a part that was really fun in "The Northman." So, when he wants to do this passion project and offers me this beautiful role of Professor Von Franz, I say,... Read More