Bicoastal production house Rabbit, which finished 9th in the 2011 Cannes Palme d’Or derby, has secured Lisa Houck of indepedent rep firm Salon, LA, to handle the West Coast….Santa Monica-based visual effects/post/graphic design house Planet Blue has tabbed Char Noonan and his indie rep firm Char & Associates to handle sales worldwide….Chris Miller has joined Harpoon Pictures as director of new business development. Miller previously ran sales and marketing for commercial production companies Highway 61 and Bridge Street Films….TidalTV, a video advertising, optimization and yield management solutions provider, has made three new hires in its New York office. Christa Rimonneau joins TidalTV as senior sales director, East Coast, reporting to VP of advertising sales Brian Danzis. Rimonneau previously worked as sales director at Adconion Media Group, and has held sales positions at Dailymotion and CNN.com. Caren Wachtenheim has been named sales account executive at TidalTV where she is responsible for network sales. Prior to TidalTV, she worked as a senior account executive at totallyher, a division of Gorilla Nation & Evolve Media. She has also held positions at First30Days, Inc. and FOX Interactive Media. And Brett Tabano comes to TidalTV as director of sales strategy. He will be responsible for analysis of key business issues impacting the online video industry. Prior to TidalTV, Tabano held account management positions at Demand Media, Priceline and Tribal DDB….
Review: Director Michael Morris’ “Bridget Jones: Mad About the Boy”
It is a truth universally acknowledged, as Bridget Jones herself might write in her diary, that at the end of any Bridget Jones movie, our heroine has triumphed over all doubts and obstacles and is finally happy.
With a man. Well, so far, with one particular man: Mark Darcy, the stuffy-yet-dashing man of her dreams.
This, dear viewer, is not a spoiler for the new fourth movie, "Bridget Jones: Mad About the Boy." In fact, if you've seen the trailer, you'll know that Bridget (Renée Zellweger, still pretty delightful), who finally married Mark at the end of the third film, is now a widow.
We're not supposed to divulge exactly what happens next. But remember, folks, this is a classic romantic comedy franchise. Rom-coms can be sad and deep, but they still need to be romantic.
What makes "Bridget Jones: Mad About the Boy" especially enjoyable, then — and the best since the 2001 original — is not that Bridget finds a way yet again to triumph over doubts and obstacles. It's that she still makes us care so darned much.
How does she do it after all these years? All I know is, I was rooting harder for her at the end of this film than I was with the others, even the original where she's kissing Mark in the snowy street in underwear and sneakers.
There are various possible explanations. One is Zellweger herself, who has brought her character gracefully into her 50s, retaining Bridget's goofiness and deep-set optimism while reflecting hard-won life experience.
And there are subtle changes to the equation. The relationships in this latest film are more interesting — old ones and new.
Bridget's relationship with herself is more interesting, too — and healthier. Sure, she can swig a full bottle of Chardonnay on a bad... Read More