By Lindsey Bahr, AP Film Writer
VENICE, Italy --The show will go on for the Venice Film Festival in September, but with a few modifications due to the COVID-19 pandemic.
Organizers said Tuesday that they are pushing forward with plans for its 77th installment, which will include a slightly reduced number of films in the main competition as well as some outdoor and virtual screenings. If the schedule stays intact, it will be the first major film festival since COVID-19 essentially shut down the industry in mid-March.
Festival director Alberto Barbera said in a statement that he is "extremely pleased that the Biennale Cinema can be held with a minimum reduction of films and sections" and that "a significant number of directors and actors will accompany films to the Lido."
There will still be 50 to 55 films in the official selection, which will be announced on July 28, and screenings will take place in the traditional venues as well as two outdoor arenas (at the Giardini della Biennale and a skating rink on the Lido) with adopted safety measures established by authorities.
The festival will take its Virtual Reality section online and this year forego its Sconfini section, which hosts smaller films and genre fare, to accommodate more socially distanced screenings of the major films in competition. Actress Cate Blanchett is presiding over the main competition jury.
Travel to Italy, an early epicenter of the COVID-19 pandemic, is allowed from European countries. The European Union last week said it would reopen its border to 14 nations, but most Americans have been refused entry due to soaring coronavirus infections in the U.S. Press from countries with travel restrictions will be able to view press conferences virtually, Barbera said.
"Without forgetting the countless victims of these past few months to whom due tribute shall be paid, the first international festival following the forced interruption dictated by the pandemic becomes the meaningful celebration of the re-opening we all looked forward to, and a message of concrete optimism for the entire world of cinema which has suffered greatly from this crisis," Barbera said.
The Toronto International Film Festival, which is typically held on the heels of Venice in September, has already announced plans for a smaller 2020 version, with fewer films and virtual red carpets. Both festivals serve as major launching grounds for awards hopefuls, although no one know how exactly it will work now that runway to the Oscars has been extended by two months.
The Venice Film Festival runs from Sept. 2-12.
Oscar and Emmy-Winning Composer Kris Bowers Joins Barking Owl For Advertising, Branded Content
Music, audio post and sonic branding house Barking Owl has taken on exclusive representation of Oscar and Emmy-winning composer Kris Bowers for advertising and branded content.
Bowers’ recent film scores include The Wild Robot and Bob Marley: One Love, alongside acclaimed past works such as The Color Purple (2023), King Richard and Green Book. His contributions to television are equally impressive, with scores for hit series like Bridgerton, When They See Us, Dear White People, and his Daytime Emmy Award-winning score for The Snowy Day.
In addition to his work as a composer, Bowers is a visionary director. He recently took home the Academy Award for Best Documentary Short Subject for his directorial work on The Last Repair Shop. The emotionally touching short film spotlights four of the people responsible for repairing the musical instruments used by students in the Los Angeles Unified School District (LAUSD). The Last Repair Shop reflects the positive influence that musical instruments have on the youngsters who play them, and the adults in the LAUSD free repair service who keep them working and in tune.
Barking Owl CEO Kirkland Alexander Lynch said of Bowers, “His artistry, diversity of style and depth of storytelling bring an unparalleled edge to the work we create for global brands. His presence on our roster reflects our continued commitment to pushing the boundaries of sound and music in advertising.”
Johanna Cranitch, creative director, Barking Owl, added, “Kris first caught my attention when he released his record ‘Heroes + Misfits’ where he fused together his jazz sensibility with a deeply ingrained aptitude for melody, so beautifully.... Read More