Agency founder Lebowitz steps into executive chairman role
Ranae Heuer has been named CEO of independent creative agency Big Spaceship. Founder and former CEO Michael Lebowitz will step into the newly created role of executive chairman.
Heuer previously worked at Big Spaceship for seven years, rising the ranks to become managing director. She now returns to oversee all clients and employees with a focus on driving growth and diversifying business. Heuer will report to Lebowitz.
“When I wrote down our needs in filling the role–someone with both imagination and operational chops, who leads with empathy and understands the long-term value of nurturing culture–Ranae was the only one on the list,” said Lebowitz. “She will help further propel Big Spaceship into our next phase of growth and evolution. I will also remain involved, helping to shape some exciting new initiatives and our long-term vision.”
Most recently, Heuer spent six years at Huge as Midwest president. During her tenure, she helped grow the region while diversifying Huge’s client portfolio. Her efforts led to a variety of AOR client partnerships with Fortune 100 brands, including Stellantis (Ram, Jeep, Dodge, Chrysler, Alfa Romeo, Fiat), McDonald’s, and Canada Goose.
“Michael has a strong vision for Big Spaceship that I find incredibly compelling. The agency also has continued to grow key offerings and capabilities, including full-service creative campaigns, product, and consulting, plus we just opened a West Coast presence. I can’t say more at this stage, but I’m excited for where we’re taking things,” said Heuer. “Beyond that, the team and culture drew me back to the agency, just as it first brought me to Big Spaceship years ago. I very much look forward to partnering with Michael again, as well as the leadership team and everyone else here.”
In addition to her previous position as Big Spaceship’s managing director, among other roles at the agency, Heuer has worked at shops including Organic, JWT and Doner.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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