Production houses RadicalMedia and brother have entered into a collaborative relationship, which has already yielded notable work including a short film in Apple’s “Shot on iPhone” series directed by Theodore Melfi, a two-time Academy Award nominee for Hidden Figures (Best Picture, Best Adapted Screenplay), and shot by Lawrence Sher, ASC, who’s nominated this year for a Best Cinematography Oscar on the strength of his work on Joker.
Melfi and executive producer Rich Carter are the founders of brother. Carter and RadicalMedia president Frank Scherma have been long-time friends and colleagues, a relationship which helped lay the groundwork for their companies coming together. Carter said that the arrangement enables he and Melfi to continue operating brother independently as a boutique company that can now tap into Radical’s global operation and deep resources. This best-of-both-worlds scenario played out in the aforementioned Apple iPhone short titled Daughter. Carter shared that having access to Radical’s Shanghai office made the job possible for brother to more easily take on the job and deliver top-drawer content.
For Daughter, which stars one of China’s leading actresses, Zhou Xun, Lawrence lensed sweeping panoramas, engaging closeups and single take ultra wide flashbacks, demonstrating the image-capturing prowess of the iPhone 11 Pro. Created by TBWAMedia Arts Lab Shanghai, Daughter is an emotional story of a taxi driver’s (Xun) complicated relationship with the two most important women in her life, her young daughter and her estranged mother. The film examines the changing social norms in China and reflects on the generational differences between traditional families and modern youth. The intergenerational film is a touching drama of family reconnecting for the Chinese New Year.
Additionally an intimate, artful making-of Daughter video was produced, directed by brother’s Giovanni Messner.
Carter noted that at press time brother and RadicalMedia had successfully teamed on four other projects. “What’s great about the relationship,” said Carter, “is that brother, while maintaining its autonomy and culture, is now supported by this amazing international production umbrella and working hand in hand with the best people in the business.” He added that brother and Radical can also serve as valuable sounding boards to one another as they problem solve and look to craft socially meaningful long and short-form content.
Scherma assessed, “Coming together and working with the enormous talent of director Ted Melfi and the extraordinary executive producer Rich Carter, along with Giovanni Messner and the rest of the roster was a no brainer.”
Scherma and Carter also know each other from their work together at the Academy of Television Arts and Sciences. Scherma is TV Academy chairman and CEO while Carter has served as a governor of the Academy’s Commercials Branch.
The brother directorial roster consists of Melfi, Messner, Dax Shepard and Tim Story.
RadicalMedia’s collaboration with brother isn’t its first with another commercial production company. As reported in SHOOT last September, Radical formed an official collaboration with Spark & Riot, a female-powered production and management company. Led by Ana de Diego, Spark & Riot represents an international roster of directors and connects them with American advertising agencies to develop and produce content globally while supporting socially conscious initiatives.
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More