New Zealand may lose filming of “The Hobbit” movies, with financial backers Warner Brothers making arrangements to shift the production offshore, director Peter Jackson warned Thursday.
Jackson’s production company, Wingnut Films, and the union Actors’ Equity have been at loggerheads over pay deals for actors in the New Zealand 660 million dollar (US$500 million) two-film prequel to the highly successful “Lord of the Rings” trilogy.
Shooting of the two 3-D films is due to begin in February.
Wingnut Films said in a statement that the actors’ move in threatening to boycott the production had undermined Warner Brothers confidence in the industry “and they are now, quite rightly, very concerned about the security of their $500m investment.”
“Next week Warners are coming down to New Zealand to make arrangements to move the production offshore,” Jackson’s production company said. “It appears we cannot make films in our own country even when substantial financing is available.”
The statement gave no indication of where the films’ production might be moved to.
Jackson said while they would fight to keep the films in New Zealand, the decision ultimately rests with Warner Brothers.
Production of “The Hobbit” was given the green light from U.S. studios Warners and New Line Cinema at the weekend, with Jackson as director.
Late Wednesday, more than a thousand film technicians marched through the capital, Wellington, demanding actors end their dispute over contracts. They chanted “Save The Hobbit” and waved banners that said, “Keep it Made in New Zealand” and “SOS Hobbits.”
The group had planned to attend an actors’ meeting and “verbalize their concern” outside, said the head of Wellington’s Weta Workshop film production house, Richard Taylor.
When the actors canceled their meeting, the technicians marched through the streets to show their concerns, he said.
“Everyone present within the Wellington technicians’ community wanted to see our industry continue under our own management as it has in the past,” Taylor said in a statement.
After the huge success of the “Lord of the Rings” series that were shot in New Zealand, Jackson has spent the past three years working on adapting the J.R.R. Tolkien fantasy novel set before the trilogy.
As well as union issues, the ongoing restructuring of flailing Hollywood studio Metro-Goldwyn-Mayer Inc., which owns half the project, has contributed to delays.
In May, Hollywood director Guillermo del Toro quit after working on the project for nearly two years. Jackson, who directed the “Rings” series, has taken his place.
Ron Cicero and Bo Clancey Launch Production House 34North
Executive producers Ron Cicero and Bo Clancey have teamed to launch 34North. The shop opens with a roster which includes accomplished directors Jan Wentz, Ben Nakamura Whitehouse, David Edwards and Mario Feil, as well as such up-and-coming filmmakers as Glenn Stewart and Chris Fowles. Nakamura Whitehouse, Edwards, Feil and Fowles come over from CoMPANY Films, the production company for which Cicero served as an EP for the past nearly five years. Director Wentz had most recently been with production house Skunk while Stewart now gains his first U.S. representation. EP Clancey was freelance producing prior to the formation of 34North. He and Cicero have known each other for some 25 years, recently reconnecting on a job directed by Fowles. Cicero said that he and Clancey “want to keep a highly focused roster where talent management can be one on one--where we all share in the directors’ success together.” Clancey also brings an agency pedigree to the new venture. “I started at Campbell Ewald in accounts, no less,” said Clancey. “I saw firsthand how much work agencies put in before we even see a script. You have to respect that investment. These agency experiences really shaped my approach to production--it’s about empathy, listening between the lines, and ultimately making the process seamless.” 34North represents a meeting point--both literally and creatively. Named after the latitude of Malibu, Calif., where the idea for the company was born, it also embraces the power of storytelling. “34North118West was the first GPS-enabled narrative,” Cicero explained. “That blend of art and technology, to captivate an audience, mirrors what we do here--create compelling work, with talented people, harnessing state-of-the-art... Read More