At NAB 2017, Primestream® will showcase the next generation of its Dynamic Media Management platform built for ease-of-use with powerful features needed to manage even the most complex sports, enterprise and broadcast workflows — from capture through delivery. Primestream will highlight new versions of FORK™ and Xchange™ Suite, loaded with an enhanced User Experience, 4K/UHD workflow, VR/360-Asset Management, web-based metadata tagging, an updated Adobe Premiere Pro extension panel with project-centric workflows, and powerful archival workflows for storing and restoring media from Amazon® and SwiftStack® Object-based storage.
“We’re excited to give our users an easy path to 4K/UHD and VR/360 workflow while addressing the need for teams to collaborate on projects from anywhere,” said Claudio Lisman, President and CEO of Primestream. “The advances being announced today are tangible steps in Primestream’s commitment to be ‘simply powerful’. Together these advances enable Primestream users to capture, produce, manage and deliver assets more easily than ever before.”
New project-centric workflows enable users and teams to intuitively create, share and collaborate on projects inside Xchange, or via the Xchange extension panel within Adobe Premiere Pro CC. Users can now organize raw footage or easily switch between proxy and high-res source material for effective remote/offsite editing. Other advances to Xchange include support for new Equirectangular VR/360-Asset Management, enabling media playback and review, with “spatial/360” visual marker annotations to highlight areas of interest in a 360° space. Xchange also brings a new module for creating playlists of media assets and exporting for delivery to VOD solutions.
Primestream will also demonstrate Xchange Workspaces™, a new module for easily building and customizing the Graphical User Interface (GUI) based on the different ways people work. Users can also enrich content with Workspaces’ built-in metadata tagging engine that integrates with metadata sources such as the Associated Press (AP) industry-leading metadata platform.
NAB 2017 will also see new integrations with third-party vendors such as Amazon® S3 and SwiftStack® for object-based storage, file-based Quality Control (QC) with Baton® by Interra®, high-speed file transfers with Aspera® and FileCatalyst®, seamless transcoding with Elemental® and Telestream®, and enhancements to NLE integration with Adobe® Premiere® Pro, Avid® Media Composer®, and Apple® Final Cut Pro X®.
Steven Soderbergh Has A Multi-Faceted “Presence” In His Latest Film
Steven Soderbergh isn't just the director and cinematographer of his latest film. He's also, in a way, its central character.
"Presence" is filmed entirely from the POV of a ghost inside a home a family has just moved into. Soderbergh, who serves as his own cinematographer under the pseudonym Peter Andrews (his father's name), essentially performs as the presence, a floating point-of-view that watches as the violence that killed the mysterious ghost threatens to be repeated.
For even the prolific Soderbergh, the film, which opens Friday in theaters, was a unique challenge. He shot "Presence" with a small digital camera while wearing slippers to soften his steps.
The 62-year-old filmmaker recently met a reporter in a midtown Manhattan hotel in between finishing post-production on his other upcoming movie ("Black Bag," a thriller Focus Features will release March 14) and beginning production in a few weeks on his next project, a romantic comedy that he says "feels like a George Cukor movie."
Soderbergh, whose films include "Out of Sight," the "Ocean's 11" movies, "Magic Mike" and "Erin Brockovich," tends to do a lot in small windows of time. "Presence" took 11 days to film.
That dexterous proficiency has made the ever-experimenting Soderbergh one of Hollywood's most widely respected evaluators of the movie business. In a wide-ranging conversation, he discussed why he thinks streaming is the most destructive force the movies have ever faced and why he's "the cockroach of this industry."
Q: You use pseudonyms for yourself as a cinematographer and editor. Were you tempted to credit yourself as an actor for "Presence"?
SODERBERGH: No, but what I did is subtle. For the first and... Read More