PRETTYBIRD has added acclaimed filmmaker Salomon Ligthelm to its roster for representation in the U.S. and U.K. Salomon’s international background and distinctive visual style come together to create boundary-defying work that spans across the spectrum of advertising, music video, documentary, and narrative film.
“Salomon is the ideal filmmaker for PRETTYBIRD,” shared PRETTYBIRD president Ali Brown. “We love filmmakers whose creative voice resonates clearly in their work no matter the final shape it takes. Whether in his music videos, commercials, or narrative works, you can see Salomon’s unique signature as a storyteller across them all. I have always been drawn to the way he creates characters and worlds that elevate the ordinary and viscerally pull you in with their beauty and texture and I’m thrilled to work with him across the field of filmmaking.”
Juliette Larthe, founding partner and executive producer of PRETTYBIRD in London, shared, “Salomon’s work has the power to translate and harness vulnerability with a narrative that manifests in an authentic visual language that dramatically changes the landscape on how we view short form. Salomon’s directing uniquely combines his different life skills and technical craft skills which directly feed to his successfully uniting ideas into stories that matches beautifully with our PRETTYBIRD manifesto. Salomon will be an exciting addition to our community and very stiff competition for the good work getting made.”
Ligthelm commented, “I have always loved the work that PRETTYBIRD has done over the years–their excellence in a wide variety of mediums is astounding and I’m incredibly humbled to be able to co-create with them. But perhaps most exciting is working with such kind, generous and integrous partners, who have always championed a wide variety of voices, bringing the best out of each unique and individual creative ally.”
The son of missionaries, Ligthelm had a childhood that entailed traveling the globe, calling Johannesburg, Sydney, Dubai and New York home. This spirit of exploration has manifested in his work–as a self-taught filmmaker, his visual style ranges from experimental to classically cinematic, but always at the core is humanity and the stories that emanate from that core.
As a young filmmaker, Ligthelm has seen his work garner recognition across the globe, gaining prominence across the new director competitions upon his arrival onto the scene. He has since quickly amassed an esteemed list of clients for whom he’s created award-winning work including Ford, Audi, Adidas, Puma, as well as stunning music videos for artists such as Prince, The Weeknd, and Young Fathers. Ligthelm‘s foray into longer form includes Rocket Wars, which documents the stunning aerial fireworks battle of a Greek village, as well as multiple screenplays currently in development. Prior to joining PRETTYBIRD, Ligthelm had been repped by Stink.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More