By Frazier Moore, Television Writer
NEW YORK (AP) --NFL football topped the ratings last week, while the first presidential debate won lots of viewers across multiple channels.
But “Bull” held the fifth-place spot that its debut airing won the week before. The legal drama, which stars Michael Weatherly as a trial consultant in a story loosely based on Dr. Phil McGraw’s life, logged 13.6 million viewers to remain the most-watched freshman series thus far in this young season.
Other high achievers among the freshman class remained CBS’ comedy “Kevin Can Wait,” starring Kevin James, which ranked 16th; CBS’ “MacGyver” reboot, at 25th place; and NBC’s drama “This Is Us,” at 28th place.
Among the networks benefiting from the first presidential faceoff between Donald Trump and Hillary Clinton, NBC scored a 6th place showing with its post-debate analysis, while Fox News Channel’s coverage of the debate drew more than 11 million viewers to round out the Top 10.
Overall in prime time for the week, CBS averaged 8.5 million viewers, while runner-up NBC had 8.0 million. ABC had 6.3 million, Fox had 4.8 million, Univision had 1.8 million, Telemundo had 1.7 million, ION Television had 1.2 million and the CW had 990,000.
Fox News Channel was the week’s most popular cable network, averaging 3.1 million viewers in prime time. ESPN had 2.2 million, CNN had 1.9 million, and MSNBC had 1.6 million.
ABC’s “World News Tonight” topped the evening newscasts for a second week in a row — the first time in 17 years it has won the first two weeks of the season, the network said. It logged an average of 8.3 million viewers versus NBC’s “Nightly News” with 7.9 million, while the “CBS Evening News” had 6.6 million.
Below are primetime viewership numbers compiled by Nielsen for Sept. 26-Oct. 2. Listings include the week’s ranking and viewership.
1. NFL Football: Kansas City at Pittsburgh, NBC, 18.06 million.
2. “NCIS,” CBS, 15.52 million.
3. “Sunday Night NFL Pre-kick,” NBC, 15.36 million.
4. “The Big Bang Theory,” CBS, 14.24 million.
5. “Bull,” CBS, 13.62 million.
6. “Decision ‘16” Presidential Debate Analysis, NBC, 12.76 million.
7. “The Voice” (Tuesday), NBC, 12.09 million.
8. “The Voice” (Monday), NBC, 11.75 million.
9. “The OT,” Fox, 11.56 million.
10. Presidential Debate, Fox News Channel, 11.43 million.
11. “NCIS: Los Angeles,” CBS, 11.39 million.
12. “Football Night in America,” NBC, 10.91 million.
13. “Dancing with the Stars,” ABC, 10.83 million.
14. “NCIS: New Orleans,” CBS, 10.76 million.
15. “60 Minutes,” CBS, 10.70 million.
16. “Kevin Can Wait,” CBS, 10.63 million.
17. “Blue Bloods,” CBS, 10.56 million.
18. Presidential Debate Analysis, Fox News Channel, 9.98 million.
19. Presidential Debate, CNN, 9.96 million.
20. “Hawaii Five-O,” CBS, 9.73 million.
Oscar and Emmy-Winning Composer Kris Bowers Joins Barking Owl For Advertising, Branded Content
Music, audio post and sonic branding house Barking Owl has taken on exclusive representation of Oscar and Emmy-winning composer Kris Bowers for advertising and branded content.
Bowers’ recent film scores include The Wild Robot and Bob Marley: One Love, alongside acclaimed past works such as The Color Purple (2023), King Richard and Green Book. His contributions to television are equally impressive, with scores for hit series like Bridgerton, When They See Us, Dear White People, and his Daytime Emmy Award-winning score for The Snowy Day.
In addition to his work as a composer, Bowers is a visionary director. He recently took home the Academy Award for Best Documentary Short Subject for his directorial work on The Last Repair Shop. The emotionally touching short film spotlights four of the people responsible for repairing the musical instruments used by students in the Los Angeles Unified School District (LAUSD). The Last Repair Shop reflects the positive influence that musical instruments have on the youngsters who play them, and the adults in the LAUSD free repair service who keep them working and in tune.
Barking Owl CEO Kirkland Alexander Lynch said of Bowers, “His artistry, diversity of style and depth of storytelling bring an unparalleled edge to the work we create for global brands. His presence on our roster reflects our continued commitment to pushing the boundaries of sound and music in advertising.”
Johanna Cranitch, creative director, Barking Owl, added, “Kris first caught my attention when he released his record ‘Heroes + Misfits’ where he fused together his jazz sensibility with a deeply ingrained aptitude for melody, so beautifully.... Read More